娜塔莉的情人

前世將軍養(yǎng)女與兄長因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛上舊人之子，在宿命糾葛下開啟極致人妖虐戀。

May 是一名年輕的建筑師，她剛剛和男朋友 Gun 搬進了郊區(qū)的新家，就收到了繼母 Po 的死訊。只有 Po 的女兒 Noon 作證說有人殺害了她的母親，但是似乎沒有任何明顯的證據。當 May 決定在家照顧 Noon 時，Noon 出現了異常癥狀，就像被鬼附身一樣。而 May 自己則因生病而開始無法入睡。Gun 于是請 Chok、Sak 和 Master Khom 來幫忙。Master Khom 立刻意識到她的房子里有過去的“黑魔法”，他要求所有人找出這種邪惡的根源。過去與大師的面部皮膚有關的不幸事件被同一門派的另一位弟子 Jong Master 移除，這就是所有這些恐怖故事的根源。

森崎明日香在破解校園詛咒后消失，三年后，新一批高中生被困在深夜游樂園，陷入 “被紅衣人殺死就重復同一天” 的循環(huán)。而追殺他們的紅衣人，正是被詛咒吞噬的明日香。眾人一邊求生，一邊試圖解開詛咒、拯救變回怪物的她。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.