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劇情簡(jiǎn)介

舞女Kitty (三十歲)，既爛賭，更染上毒癮，致令其男友大失所望棄之而去。其后Kitty遇上了同是癮君子的財(cái)(男三十六)，二人臭味相投，結(jié)伴同居。一日，財(cái)發(fā)現(xiàn)Kitty失蹤，找了半天仍未有結(jié)果，急如熱鍋上的螞蟻。原來(lái)Kitty因欠大耳窿杰哥兩萬(wàn)多元毒品錢，拖欠多天，終被杰抓到。杰隨Kit...

導(dǎo)演精選

喚醒殺手

　　影片講述了哈維無(wú)意中發(fā)現(xiàn)了多年前連環(huán)殺手十二宮自拍的殺人錄像，他聯(lián)系好友決定報(bào)警并平分十萬(wàn)美金的懸賞，不料當(dāng)夜殺手便將他們盯上，一場(chǎng)屠殺即將開始。

專撬墻腳

　　簡(jiǎn)介：石驚天是一位擅長(zhǎng)辦理離婚案的風(fēng)流律師，喜歡與有夫之婦鬼混。老友黃律師之婚禮，令石突然萌置家之念。遂托物色對(duì)象，欲將朱帶金改造成他理想的太太。一天，石的堂弟石頭從外地回來(lái)，訴說(shuō)未婚妻移情別戀，石大罵石頭有辱家風(fēng)，于是授計(jì)助其追女仔。原來(lái)石頭想要追求的正是朱。石知道后，馬上帶朱到西班牙渡假，奈何石頭苦苦追蹤而至……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster