即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
赤赤煉戀
土屋太鳳,吉澤亮,千眼美子,吉田羊,大杉漣,有森也實(shí)熙攘喧囂的大都會(huì)東京，游魂漫無目的地行走在城市的每一個(gè)角落。身穿校服的女高中生樹里（土屋太鳳 飾）曾經(jīng)將自己深鎖屋中，拒不登校，后來則選擇從公寓樓頂一躍而下，結(jié)束了自己十幾年匆匆的人生。此去經(jīng)年，她早已忘記當(dāng)初自殺的理由，甚至有時(shí)忽略了已經(jīng)死去的事實(shí)。細(xì)細(xì)回想生前事，曾有交到的傾心好友，也曾有運(yùn)動(dòng)出色的青梅竹馬，而如今俱成過眼云煙。曾經(jīng)討厭嘈雜低端的她，現(xiàn)在反而喜歡身處其中。樹里仿佛是城市中唯一一個(gè)亡靈，沒有任何說話對(duì)象，除了那些慫恿失落的人自殺的蟲男?！ ∵@是她的孤獨(dú)地獄，沒有止境的旅程……
摩登衙門
鄭則仕,李修賢,馮淬帆,廖偉雄,王青掙爆與大口環(huán)這對(duì)妙探﹐在一宗集團(tuán)搶劫案中立功﹐調(diào)職風(fēng)化群組﹐掙爆更因此升職沙展。兩人因在辦案中受獎(jiǎng)﹐決定換車加薪﹐因而認(rèn)識(shí)車行太子爺KK仔從而引出一波未平﹐一波又起……
大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果在本作品中，人們聽了從某個(gè)卡式錄音帶中流淌出的“某個(gè)旋律”后，自己也漸漸哼唱起了那個(gè)旋律，被卷入了不可思議的事件中。
瘋狂動(dòng)物園
威爾·福特,約翰·雷吉扎莫,約翰·克里斯,吉姆·卡明斯,杰森·瓊斯,薩曼莎·比After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con, that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter just around the corner, it's a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant and take back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life, Lola, a local "show squirrel." Sadly, Lola has been burnt by too many of Frankie's false promises in the past. With the support of Frankie's old mentor, Mr. Bellwood, a wealthy badger, Frankie and Cody assemble a team of top notch "crackers" from all over the forest, including: a bat named Fly Boy, a top notch munitions expert; Raitch, a computer hacking albino snake, who never allows her lack of appendages to get in the way; Edsy a tiny "family frog," whose ability to freeze himself solid for days on end without harm is invaluable; a germophobic French rat named Liam, who can collapse his skeleton to get into any space; Chinese father-daughter pangolins named Pango and Lin, the best diggers in the forest; and Bellwood's hedgehog butler, Oscar who knows how to get his hands on anything the crew needs. With winter knocking at their door, Frankie and his crew have only three days to prepare and execute this unprecedented heist. When they learn that the processing of their forest's acorns has been pushed up a day, Lola's refusal to participate leaves Frankie and his crew one critter short. With everything on the line, Frankie and his crew of Animal Crackerz set out to pull off the biggest heist in animal history!
宇宙怪獸加美拉
マッハ文朱,小島八重子地球征服をたくらむ宇宙海賊?ザノンが次々と送り込む怪獣を、平和星M38から派遣された3人の宇宙人が、ガメラを呼んで撃退する。“ガメラ“シリーズ全7作から、ガメラと怪獣たちの戦闘シーンをピック?アップしたアンソロジー。