劇情簡介
Una暫無內(nèi)容Noche暫無內(nèi)容tells暫無內(nèi)容the暫無內(nèi)容heartrending暫無內(nèi)容tale暫無內(nèi)容of暫無內(nèi)容three暫無內(nèi)容teens暫無內(nèi)容looking暫無內(nèi)容to暫無內(nèi)容make暫無內(nèi)容their暫無內(nèi)容escape暫無內(nèi)容to暫無內(nèi)容an暫無內(nèi)容imagined暫無內(nèi)容better暫無內(nèi)容life.
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禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在一家名為“自由伊甸園”的商店里。店員“蘋果”、“櫻桃”和“無花果”私下維持著一個神秘的女巫社團，而新入職店員“南瓜”的出現(xiàn)，開始讓這份姐妹情誼遭受質(zhì)疑。面對新人的挑戰(zhàn)，這群各懷鬼胎的女性不得不直面潛藏心底的幽暗，沖突也隨之演變成血腥的暴力。
摩登衙門
鄭則仕,李修賢,馮淬帆,廖偉雄,王青掙爆與大口環(huán)這對妙探﹐在一宗集團搶劫案中立功﹐調(diào)職風化群組﹐掙爆更因此升職沙展。兩人因在辦案中受獎﹐決定換車加薪﹐因而認識車行太子爺KK仔從而引出一波未平﹐一波又起……
鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁保護地球、維護和平，奧特曼對于地球人來說曾經(jīng)是神一樣的存在，但是近幾十年，他卻消失不見行蹤成謎……隨之取替他的是鋼鐵飛龍精銳小分隊——隸屬于GSB地球安全保衛(wèi)組織。而GSB近期不斷收到地球能源異常報告，全球各地紛紛出現(xiàn)巨大災(zāi)難。GSB組織派出鋼鐵飛龍，查明能源異常原因，卻意外發(fā)現(xiàn)事件與奧特曼有關(guān)系……新舊兩代地球守護者的意外相見，卻成為你死我活的敵對雙方。到底，這是一場意外還是一場陰謀，是誰看到了最后的事實真相？
鐵血戰(zhàn)士：殺戮之地
艾麗·范寧,迪米特里烏斯·舒斯特-科洛阿瑪坦吉跟隨一位被部落放逐的年輕鐵血戰(zhàn)士，深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里，他將與維蘭德-湯谷公司制造的仿生人希雅（Thia）意外結(jié)盟，這位僅存上半身的仿生人，將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉，一步行差踏錯即刻墜入無可挽回的深淵，唯有浴血廝殺，才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰(zhàn)士的狩獵法則——生存并非勝利的終點，而是通往更殘酷考驗的開始。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無法饒恕的愛
薩拉·克利夫蘭,Matt Wells...
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪?shù)蠆W,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內(nèi)西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇絕望的母親艾麗西亞竭盡所能阻止其子丹尼爾因謀殺前妻未遂而被判入獄。在這一過程中，艾麗西亞將發(fā)現(xiàn)一樁陰謀，這將徹底改變她的生活，并將其變成一個真正的噩夢。