俄羅斯變奏曲
一位年輕作家送了一本短篇小說(shuō)集到莫斯科一家大出版社,結(jié)果,書中的四個(gè)故事潛移默化的影響了四個(gè)讀者的生活,現(xiàn)實(shí)開(kāi)始變得荒誕,甚至驚心動(dòng)魄
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
森英恵蝴蝶之外
八木莉可子,中島裕翔作為唯一一位活躍于“時(shí)尚界最高峰”巴黎高級(jí)定制領(lǐng)域的日本設(shè)計(jì)師,森英惠女士終生致力于向世界傳遞“日本優(yōu)雅”。蝴蝶主題作為象征品牌的設(shè)計(jì)風(fēng)靡全球,她本人亦被親切稱為“蝴蝶夫人”。2026年正值這位英惠女士誕辰100周年。值此節(jié)點(diǎn),由實(shí)力派年輕演員八木莉可子主演,將她鮮為人知的青春歲月故事搬上熒屏。 以豐富色彩與優(yōu)美設(shè)計(jì)迷倒全球女性的森英惠女士,其于戰(zhàn)后混亂期從零開(kāi)始開(kāi)拓設(shè)計(jì)師道路的歷程卻鮮為人知。本作將描繪從島根度過(guò)的童年時(shí)光,到因親手為孩子制衣而沉醉于西式剪裁,最終作為設(shè)計(jì)師綻放才華、進(jìn)軍世界的未知奮斗史。 1926年(大正15年),英惠出生于島根六日市村(現(xiàn)吉賀町),在五兄妹中排行第四。她所呈現(xiàn)的鮮明“色彩”與優(yōu)美“形態(tài)”雖跨越時(shí)代令我們感動(dòng),但其原點(diǎn)據(jù)說(shuō)正植根于童年熟悉的故鄉(xiāng)原始風(fēng)景。 歷經(jīng)戰(zhàn)禍,22歲結(jié)婚。為給即將出生的兒子制作衣服而開(kāi)始學(xué)習(xí)西式剪裁的她,迅速為之著迷,25歲時(shí)在東京新宿開(kāi)設(shè)定制西服店“日吉屋”。此后更涉足電影服裝領(lǐng)域,執(zhí)掌《太陽(yáng)的季節(jié)》《瘋狂的果實(shí)》《彼岸花》《秋日和》《秋刀魚之味》等名作的服裝設(shè)計(jì),奠定了日本電影界“服裝設(shè)計(jì)”的重要性。 隨后,到訪美國(guó)紐約的英惠目睹日本產(chǎn)服裝被視作劣質(zhì)品的現(xiàn)實(shí),決心向世界傳播日本傳統(tǒng)美與卓越技藝,最終決意進(jìn)軍國(guó)際。支撐她成為世界級(jí)設(shè)計(jì)師的原動(dòng)力,正是永無(wú)止境的挑戰(zhàn)精神、非凡的努力,以及長(zhǎng)年無(wú)私奉獻(xiàn)的丈夫賢的支持。 此次描繪英惠波瀾壯闊的半生,劇本由執(zhí)筆過(guò)晨間劇《怪怪怪的妻子》及大河劇《八重之櫻》等多部劇集的山本睦美擔(dān)當(dāng)。在徹底考證史實(shí)的基礎(chǔ)上,作品將點(diǎn)綴從在島根原野奔跑的少女時(shí)代到飛躍世界的未知軼事,編織她所追尋的夢(mèng)想。當(dāng)然,蝴蝶設(shè)計(jì)的誕生秘辛亦將呈現(xiàn)。
東北戀哥3:冬天里的一把火
包貝爾,張夢(mèng)露,喬杉,潘斌龍,韓彥博,韓云云,張呈90年代的哈城,剛刑滿釋放的徐鐵(包貝爾 飾)偶遇裝啞的舞女百靈(張夢(mèng)露 飾),兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖,讓他們相互靠近,卻又因現(xiàn)實(shí)隔閡,家人誤解而屢屢拉扯。百靈為父還債的秘密賬本,讓徐鐵讀懂了她的苦衷,雷力的迫害更是將兩人推向絕境,徐鐵以命相搏救出被囚的百靈,終贏來(lái)家人祝福。這對(duì)孤獨(dú)靈魂,在世俗重壓下,以真愛(ài)焐熱了彼此的人生。
穿越愛(ài)情線
葉灝基,關(guān)嘉敏,許俊豪,陳康琪寵愛(ài)女友的男主角,在好友幫忙下成功求婚。男主角當(dāng)晚高興入眠。至第二天醒來(lái),發(fā)現(xiàn)自己在一個(gè)陌生房間,身邊多了一個(gè)陌生女子,她告知是自己的老婆,驚訝之時(shí)才發(fā)現(xiàn)自己來(lái)到三年之后,離奇荒誕的事接踵而來(lái),究竟為何會(huì)這樣?這三年又發(fā)生了什么事?本身的女友又去了哪里呢?
梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒梅根斯和艾米性格迥異,卻成為了最好的朋友。一天梅根在網(wǎng)絡(luò)聊天室里遇見(jiàn)男孩喬希,兩人一投即合。然而,梅根在去見(jiàn)喬希后神秘消失,艾米于是竭盡全力尋找好朋友。(文/life_is_good@YDY)
迷失禁區(qū)
陳明民,梁鴻,王新宇,金晨曦...