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劇情提要
講述明泰(貞賢宇)是在一個(gè)證券公司一個(gè)炙手可熱的人hadeverything從看起來熱的物體是一個(gè)錯(cuò)誤,但他和他的妻子被熱拍(Yoo暫無內(nèi)容Da暫無內(nèi)容Eun)忽略。附近的婦女在家里總是有不同的原因,他開始向外看。莫林(熙官)無辜的人,9尾Avante,獅跑(基姆吉森)和神秘的成因(Jeong暫無內(nèi)容So-yeong)。明洞TAE不能品味有染他們就忙。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
揚(yáng)帆
夏洛特(貝蒂·戴維斯 Bette Davis 飾)已經(jīng)能算得上是一個(gè)老姑娘了,她梳著呆板的發(fā)型,穿著保守的服裝,性格也古里古怪的,更糟糕的是,她似乎還染上了酗酒的壞毛病。在家人的建議之下,夏洛特決定踏上治療心靈的旅途,登上了駛往遠(yuǎn)方的游輪。在游輪上,夏洛特邂逅了名為杰瑞(保羅·亨雷德 Paul Henreid 飾)的男子,并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快,夏洛特就感到自己墜入了情網(wǎng)之中,然而,此時(shí)的杰瑞并不是自由身,他有這一段無法結(jié)束的婚姻。心碎的夏洛特選擇了離開,而夏洛特的母親也在不久之后撒手人寰。