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三天

樸新陽(yáng),李民基,李來(lái)

　　樸信陽(yáng)飾演父親車勝道（音譯），李民基（李暋起）飾演潘神父（姓為音譯）。　　該片講述在為女兒舉辦葬禮的三天時(shí)間中，與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭(zhēng)的超自然電影。

陰陽(yáng)師2

野村萬(wàn)齋,深田恭子,中井貴一,伊藤英明,市原隼人

　　平安時(shí)代，百鬼夜行，封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子（深田恭子 飾）戎裝登場(chǎng)，一箭命中靶心，引來(lái)全場(chǎng)驚嘆。這位被喻為“連鬼都不敢接近”的公主，卻令源博雅（伊藤英明 飾）暗自傾心。天現(xiàn)異象，京都騷動(dòng)，魍魎橫行。平安京已有四人遇害，民間出現(xiàn)驅(qū)鬼術(shù)士幻角（中井貴一 飾），日美子亦在異象后開(kāi)始?jí)粲?。博雅為此替右大臣?lái)請(qǐng)安倍晴明（野村萬(wàn)齋 飾）商談。與此同時(shí)，宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動(dòng)。晴明受天皇所托，與博雅開(kāi)始調(diào)查種種異況背后出云與大和的隱秘淵源。　　博雅和夜彈琵琶的神秘少年須佐（市原隼人 飾）相識(shí)為樂(lè)友，須佐負(fù)傷被日美子所救，三人在右大臣府邸相逢。同一時(shí)刻，右大臣主動(dòng)找到晴明，坦白了十八年前天現(xiàn)異象時(shí)，大和攻打出云的事實(shí)……　　本片為電影《陰陽(yáng)師》續(xù)作。

請(qǐng)求救援

瑞秋·麥克亞當(dāng)斯,迪倫·奧布萊恩,布魯斯·坎貝爾,丹尼斯·海斯伯特,澤維爾·塞繆爾,吳育剛,艾瑪·雷米,Edyll Ismail,塔內(nèi)·瓦拉庫(kù)努婁,布拉德·弗萊特

 當(dāng)求生變成獵殺，誰(shuí)會(huì)是最終的幸存者？?jī)擅略陲w機(jī)失事后，成為唯一幸存者并困在荒島上。他們必須放下過(guò)往恩怨、共同求生，但最終演變成一場(chǎng)不安又黑色幽默的意志與智慧對(duì)決……

奧利維婭與云

Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery Cordero

　　Olivia and The Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds.

牙仙歷險(xiǎn)記

波波·斯圖爾特,杰琳·貝茨,拉金·貝爾

　　一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴(yán)苛傳統(tǒng)的世界。在一次冒險(xiǎn)中，他遇見(jiàn)了世界上最可愛(ài)的小巨魔，以及擁有科學(xué)天賦、勇敢無(wú)畏的小妖精。三個(gè)小小生物從此展開(kāi)旅程，努力聯(lián)合各自的王國(guó)，同時(shí)躲避心懷不軌、蠢蠢欲動(dòng)的蜘蛛威脅。

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.