性、丈夫、情人

評(píng)分:9.2 播放:39萬 更新:2026-04-30

趙均與娟娟是一對(duì)恩愛夫妻,而暗戀娟娟的浩明卻以望遠(yuǎn)鏡偷窺意y-.某夜,浩明潛入娟娟房中被趙均發(fā)現(xiàn),趙均在毆打中受傷導(dǎo)致性能力喪失,無法滿足娟娟,遂決定赴美就醫(yī),娟娟再度與浩明相遇,當(dāng)晚,兩人積壓已久的欲火便在庭院中釋放開來,之後,兩人便沉浸在愛的歡L中暫無內(nèi)容.暫無內(nèi)容好景不長,趙均從美國返回,欲重拾夫妻生活,浩明不肯分手,司機(jī)小丁并以兩人私情向娟娟勒索要錢,甚至以ML茍合為交易的籌碼,人和財(cái)都要,一連串悲劇接踵而至,一場愛與欲的糾葛,一步步走向毀滅悲劇........

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平安夜,殺人夜

羅漢·坎貝爾,露比·莫迪恩,馬克·艾奇遜,沙龍·巴杰,大衛(wèi)·勞倫斯·布朗,埃里克·阿塔瓦爾,托米·雷梅爾,大衛(wèi)·湯姆林森,伊莎·薇洛特,Rick Skene,Tom Young,馬德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾倫,Logan Sawyer,Julien Neault-Lount,安德烈婭·格里寧

  Cineverse制作新版《平安夜,殺人夜》,計(jì)劃于2025年底上院線。

北逃

索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan Cojocaru

  Based on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

無歸客

宋洋,陳立農(nóng),姜珮瑤

  宋隱(宋洋 飾)奉命調(diào)查“極樂膏”制販案件。辦案期間,他獲得了游俠夜剎、大夫燕云升(陳立農(nóng) 飾)、藥師素娥(姜佩瑤 飾)等人的幫助。他們通過頑強(qiáng)戰(zhàn)斗與勇敢犧牲,撕碎了犯罪頭目白啟年的保護(hù)傘,還一方安定。宋隱繼續(xù)踏上鏟奸除惡的漫漫長路。