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[嗲囡囡FEILIN]暫無內(nèi)容暫無內(nèi)容寫真集系列鑒賞
同類好片
快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門通,史蒂夫·沃爾,喬納森·法蘭西瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel滅絕2015
馬修·??怂?杰弗里·多諾萬,奎恩·麥克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,麗麗·博爾丹,胡里奧·佩里蘭,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargue?o貘之歌
人氣佳作
血灑胭脂馬
羅伯特·蒙哥馬利,旺達(dá)·亨德里克斯超級(jí)倉鼠3:松鼠奇謀
塔米·菲的眼睛
杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費(fèi)奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
透明人與蠅男
《透明人與蠅男 》是由村山三男導(dǎo)演的特?cái)z科幻電影。一個(gè)發(fā)現(xiàn)可以把人變成和蒼蠅一樣大小的藥品的男人,開始對(duì)給自己安上戰(zhàn)犯的罪的人復(fù)仇。某個(gè)物理學(xué)家為了從蠅男的恐怖中拯救人們決心成為透明人。
包寶寶
畫面開始,一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會(huì)兒,一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶,短暫的歇息。稍后,包子蒸熟,女主人端著它來到餐桌前。此時(shí),她的老公已經(jīng)起床,正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽,便匆匆上班去了。失落的女主人拿起最后一個(gè)包子,可剛一張嘴包子便大哭了起來。不知為何包子有了生命,而倍感孤獨(dú)的女主人格外開心,于是將包寶寶當(dāng)做自己的孩子撫養(yǎng)。小包子一天天長(zhǎng)大,他起初和女主人分外親近,但是他漸漸有了自己的個(gè)性,渴望獨(dú)立,渴望遠(yuǎn)行……本片是《超人總動(dòng)員2》的貼片短片,榮獲奧斯卡電影金像獎(jiǎng)最佳動(dòng)畫短片獎(jiǎng)。