性戲王48的奇跡
xing戲王48之奇跡完全不受歡迎的處男侽、吉田圭。打工的地方也總是被店長(zhǎng)罵。圭之唯一的治愈系是溫柔可愛的打工前輩彩菜。但是有一天，圭在打工的休息室里，目擊了展開濃厚做ai的店長(zhǎng)和彩菜。因?yàn)樘^(guò)震驚而在街上徘徊的圭，一個(gè)奇怪的占卜師向他打招呼。;你能看到引發(fā)48之奇跡;的樣子。達(dá)成這個(gè)目標(biāo)的人，就能成為世界之王。其為之試煉是稱霸xing技48手。即48人之女xing的交手。 ;對(duì)于突然的預(yù)言感到目瞪口呆的圭，為了改變命運(yùn)而決定要面對(duì)考驗(yàn)
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搖滾萬(wàn)萬(wàn)歲
羅伯·萊納,邁克爾·麥基恩,克里斯托弗·格斯特,哈里·謝爾,布魯諾·柯比,小艾德·博格里,比利·克里斯托,安杰麗卡·休斯頓,佛萊德·威拉特1982年，英國(guó)傳奇重金屬樂(lè)隊(duì)Spinal Tap搖滾樂(lè)團(tuán)紅極一時(shí)。電影導(dǎo)演馬蒂（羅伯·萊納 Rob Reiner 飾）是Spinal Tap樂(lè)團(tuán)的一位忠實(shí)粉絲。Spinal Tap樂(lè)團(tuán)要來(lái)美國(guó)舉行一次復(fù)出巡演，馬蒂則為Spinal Tap樂(lè)團(tuán)拍攝隨行紀(jì)錄片。本部仿紀(jì)錄片刻意杜撰出一個(gè)英國(guó)搖滾樂(lè)團(tuán)Spinal Tap，活靈活現(xiàn)的刻畫出了搖滾樂(lè)團(tuán)臺(tái)上臺(tái)下表里不一的嘴臉，對(duì)當(dāng)代搖滾樂(lè)做出了尖銳的諷刺和嘲諷。 本片由羅伯·萊納自編自導(dǎo)自演之作。影片中的電影音樂(lè)均由演員們親自演奏創(chuàng)作而成。
我能有個(gè)見證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van OersCan I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
咸魚翻身
李健仁,梁家仁,鐘偉強(qiáng),程?hào)|,黃一山,馬雪陽(yáng),Boz,董方卓此片主題為講述兩代人為勝利與人生尊嚴(yán)拼搏不息、最終實(shí)現(xiàn)足球夢(mèng)的勵(lì)志故事。
超時(shí)空傳輸
羅比·阿梅爾,瑞切爾·泰勒,肖恩·本森,亞當(dāng)·布切,坦圖·卡丁諾,Gray Powell,Jacob Neayem,杰米斯皮爾切克未來(lái)世界能源枯竭，食物短缺。雷恩醒來(lái)，三名蒙面人將他和女友劫持，他奮力掙脫卻從樓梯摔下。雷恩再次醒來(lái)，發(fā)現(xiàn)自己經(jīng)歷著同樣的一天。他告訴女友漢娜，卻發(fā)現(xiàn)漢娜和蒙面人是一伙的。雷恩才發(fā)現(xiàn)，他們都陷入了自己制造的ARQ能源機(jī)引發(fā)的時(shí)間循環(huán)中，而雷恩曾經(jīng)效力過(guò)的Torus公司正要奪走這臺(tái)機(jī)器。為了阻止Torus公司，雷恩和漢娜再次進(jìn)入無(wú)限的循環(huán)...
開心三響炮
曾志偉,陳百祥,陳友,古嘉露啄木鳥（曾志偉 飾）和甘油條（陳友 飾）是同事兼好友，兩人相識(shí)多年，默契十足，感情十分要好。某日，在執(zhí)行追捕黑幫大佬阿成（沈微 飾）的過(guò)程中，兩人結(jié)識(shí)了警花吉吉（古嘉露 飾），三人結(jié)成搭檔。于是，在啄木鳥和甘油條之間，一場(chǎng)異常激烈的撩妹比賽拉開了序幕。雖然啄木鳥能說(shuō)會(huì)道十分神氣，但甘油條似乎更加喜歡內(nèi)向靦腆的甘油條?！ “⒊山壖芰俗哪绝B和甘油條的好友花利文（陳百祥 飾），想要以他的性命威脅兩人，換取自由。啄木鳥和甘油條自然為了救出好友而火速前往現(xiàn)場(chǎng)，面對(duì)殘暴的阿成，兩人能夠順利的救出花利文嗎？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster