乘出租車(chē)去廁所
坐出租車(chē)去洗手間,1981年的西德同志電影,前所未有的真實(shí)呈現(xiàn),自編自導(dǎo)自演,全部真實(shí)
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眠狂四郎
長(zhǎng)谷川博己,黑島結(jié)菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎我聘請(qǐng)了職業(yè)殺手
讓-皮埃爾·利奧德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克萊爾匹配
土屋太鳳,佐久間大介,金子統(tǒng)昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴兇間疑影
Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul無(wú)垢的證人
唐澤壽明,當(dāng)真亞美化劫
黃冠智,雷嘉汭,劉子銓,曾莞婷,黃騰浩,柯叔元,于子育,席惟倫同類(lèi)推薦
冷光中
麥卡·夢(mèng)露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait出獄后的艾娃試圖重新開(kāi)始,卻被哥哥卷回毒品交易。警方設(shè)局致哥哥身亡,她再度逃亡。好友遇害、父親背叛、親情撕裂下,艾娃鋌而走險(xiǎn),與毒梟交易并清除叛徒,最終再次入獄。
著牛仔褲的鐘馗
成奎安,葉蘊(yùn)儀,王小鳳,葉子楣香德祖(成奎安 飾)是一名香港皇家警察,他的老婆(王小鳳 飾)懷孕待產(chǎn),夫妻二人親密非常。這一日,他們?nèi)メt(yī)院檢查的路上,遭遇一伙銀行劫匪。出于職責(zé),香拋下妻子奮勇上前追擊。經(jīng)過(guò)一番追車(chē)和搏斗,香制服歹徒,卻被匪首暗算,致使鋼筋穿胸而死,尸體被埋于亂鐵之中。是夜,一只黑貓?zhí)舷愕纳眢w,剛好猛雷劈下,香竟奇跡般復(fù)蘇,變成活脫脫的僵尸。他復(fù)活后力大無(wú)比,但害怕陽(yáng)光,還需要定期充電。香自知時(shí)日無(wú)多,決定對(duì)妻子隱瞞這個(gè)秘密,并將銀行劫匪繩之以法?! ×硪环矫妫送疆?dāng)初逃跑時(shí)劫持少女Gucci(葉蘊(yùn)儀 飾)為人質(zhì),混亂中Gucci拿著裝錢(qián)的箱子逃跑。憤怒的劫匪四下尋找Gucci,當(dāng)他們得知香還在人間之時(shí),一番正邪大戰(zhàn)在所難免……
恩典
托尼·塞爾維洛,安娜·費(fèi)澤蒂,奧蘭多·辛克,馬西莫·文圖列洛,米爾維亞·馬里利亞諾,朱塞佩·蓋亞尼,喬瓦娜·圭達(dá),阿萊西亞·朱利安尼,羅伯托·齊貝蒂,Vasco Mirandola,Linda Messerklinger,Rufin Doh Zeyenouin,Simone Colombari,Alexandra Gottschlich,Lucio Zagaria,Francesco Martino,Tommaso Amadio,Guè Pequeno,Shablo,Fabrizio Bordignon馬里亞諾·德·桑蒂斯是意大利共和國(guó)總統(tǒng)。此人與現(xiàn)實(shí)中的任何總統(tǒng)均無(wú)關(guān)聯(lián),完全是作者虛構(gòu)的人物。他喪偶多年,且信奉天主教,有一個(gè)女兒名叫多羅泰亞——和他一樣,女兒也是一名法律學(xué)者。任期即將結(jié)束之際,在波瀾不驚的日常中,兩項(xiàng)最后的職責(zé)擺在了他面前:就兩份敏感的總統(tǒng)特赦申請(qǐng)做出決定。這些抉擇構(gòu)成了真正的道德困境,并且以看似無(wú)法理清的方式,與他的私人生活糾纏在了一起。在疑慮的驅(qū)使下,他必須做出抉擇。而這位杰出的意大利總統(tǒng),懷著強(qiáng)烈的責(zé)任感,必將履行這份職責(zé)。
裂口女
佐藤江梨子,加藤晴彥,水野美紀(jì),川合千春20世紀(jì)70年代,在日本中小學(xué)生中間流傳著這樣一個(gè)恐怖的傳說(shuō):放學(xué)獨(dú)自走到公園附近時(shí),會(huì)遇到一個(gè)帶著白色口罩、穿紅色風(fēng)衣的女人。遇到路過(guò)者,她會(huì)摘下口罩,露出裂到耳朵的恐怖大嘴,問(wèn)對(duì)方“我漂亮嗎?”如回答不漂亮,她會(huì)將對(duì)方毀容;若回答漂亮,她就將對(duì)方變得和自己一樣;如果逃跑,她會(huì)以極快的速度追上。這個(gè)女人的名字就叫:裂口女。 各學(xué)校一時(shí)間人心惶惶,男女學(xué)生們都怕碰到這個(gè)可怕的女人,而大人們卻對(duì)這個(gè)謠言嗤之以鼻。但隨著一場(chǎng)不詳?shù)牡卣鸢l(fā)生,裂口女終于到來(lái)……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster