花樣女鬼

　　丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅，卻在此地慘遭殺害，所有人都懷疑是當?shù)鼐癫≡旱牟∪怂鶠?，因為泰德正是該院的一名醫(yī)生。然而，案發(fā)后不久，嫌疑人就被發(fā)現(xiàn)死亡。一年后，丹妮的雙胞胎盲妹達茜（Darcy），一個自稱通靈者和詛咒物品收藏家的人，意外拜訪了泰德和他的新女友雅娜。達茜深信她姐姐的謀殺案遠比人們知道的要嚴重得多，因此她帶來了她收藏的最危險的詛咒物品，以幫助她復仇。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　影片是一部圍繞約會匹配軟件展開的原創(chuàng)懸疑片，戀愛方面晚熟的婚禮策劃人輪花（土屋太鳳 飾）被同事推薦了配對APP，雖然和一位男士匹配成功，但是出現(xiàn)在約會中的他卻和照片完全不一樣。與此同時，發(fā)生了針對APP用戶的連環(huán)殺人事件，事件朝著意料之外的方向發(fā)展，魔爪也漸漸逼近了輪花...佐久間大介飾演與主人公·輪花相遇，糾纏不休的跟蹤狂·永山吐夢。

兩名警察在出警處理一樁家庭糾紛時，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺——監(jiān)視他們的，遠不止現(xiàn)場的攝像頭…