赤條條的欲望

評(píng)分:7.0 播放:82萬(wàn) 更新:2026-04-26
主演: 凱蘭妮·雷 Mercedez 

霧(Kaylani雷)是在由多美子(MikaTan)妓院工作的應(yīng)召女郎。蒼生子跑她的房子像是迷你的獨(dú)裁政權(quán),使所有女孩們跟著一套嚴(yán)格的規(guī)則︰沒(méi)有男朋友,不接受小費(fèi),等。霧是家頂尖的女孩,想要她自己的房子。她發(fā)現(xiàn),會(huì)員是每10萬(wàn)元每年后,小霞退出和加入德里克(馬庫(kù)斯利蘭,aka馬特達(dá)爾皮亞茲)在打開(kāi)紅藝妓,一所新房子。紅藝妓是相反的蒼生子的房子︰女孩有自由去做他們想要什么。這引誘兩個(gè)多美子的女孩,花(茉莉花Byrne)和姜(全智賢琳)加盟。蒼生子誓言反擊與她雇來(lái)的警方接觸,諾頓。她問(wèn)他向朦朧,結(jié)果在死亡的姜發(fā)送小的消息。通配符在斗爭(zhēng)中是薇拉尼娜梅賽德斯所起。她是獨(dú)立的保駕護(hù)航,并在鎮(zhèn)上的新女孩。

影片推薦

同類精選

影視排行

平原上的迷途

菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina

  卡洛比安奇和多里亞諾是兩個(gè)生活拮據(jù)的五十多歲男人,他們秉持著“絕不錯(cuò)過(guò)最后一杯酒”的人生哲學(xué)。在一次偶然的機(jī)會(huì)中,他們結(jié)識(shí)了朱利奧,一位性格內(nèi)向、對(duì)人生感到迷茫的建筑學(xué)學(xué)生。這場(chǎng)看似不經(jīng)意的邂逅,卻逐漸演變成了一場(chǎng)穿越威尼斯平原的混亂公路旅行?! ≡诼猛局校愀獾慕ㄗh、宿醉的困擾以及意料之外的友情,不斷挑戰(zhàn)朱利奧對(duì)人生和愛(ài)情的原有計(jì)劃。這場(chǎng)旅程不僅重新定義了他們彼此的生活,也讓朱利奧開(kāi)始重新思考自己的未來(lái)方向。

木乃伊2026

杰克·萊諾,萊婭·科斯塔,梅·卡拉美維,娜塔莉·格蕾斯,維羅尼卡·法爾孔,艾米麗·米切爾,哈亞特·卡米勒,比利·羅伊,希洛·莫利納,梅·埃爾格蒂,迪恩·艾倫·威廉姆斯

 一個(gè)被埋藏的秘密,正準(zhǔn)備被揭開(kāi)。失蹤多年的凱蒂突然回來(lái),但回來(lái)的,真的還是原本的她嗎?那些看似“好轉(zhuǎn)”的變化,其實(shí),是另一種腐敗的開(kāi)始。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

意外空間

胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃爾南·門多薩,勞爾·門德茲

  兄弟二人生活過(guò)的緊巴巴,弟弟生性懦弱,哥哥強(qiáng)勢(shì)霸道,這天,哥哥搶劫別人得來(lái)了錢,兄弟二人正高興之際,一名偵探找上門來(lái),雙方發(fā)生爭(zhēng)執(zhí),追逐之中,三個(gè)人發(fā)現(xiàn)自己被困于無(wú)窮無(wú)盡的樓梯上,無(wú)論如何都走不到盡頭 ……  另一邊,一家人被困于無(wú)邊無(wú)境的馬路上,相同的加油站,相同的便利店,四周一望無(wú)際的荒野,卻如何都逃不出這可怕的地獄……  兩個(gè)沒(méi)有界限的空間,他們要如何應(yīng)對(duì)內(nèi)心逐漸升起的絕望?