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劇情提要
十六歲的少女(秀琳)被狠心的母親拋棄后失蹤,無家可歸的她,為了生活而賣身。在被關(guān)進時警局期間,被一位變態(tài)警察(英樹)強暴,又被其控制替他做毒品交易,無耐的秀琳無法擺脫英樹的強暴與控制,巧合結(jié)識了寂寞的出租車司機,當(dāng)他看到秀琳一次次的被男人強暴與欺辱時,命運使倆人共同產(chǎn)生了愛與復(fù)仇
暗夜精選
百日孤獨
伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅愛定你殺定你
塞西爾·德·弗朗斯,麥溫,菲利普·納翁,弗蘭克·卡方,安德烈·芬蒂,瓦娜·佩利亞,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃爾·斯巴修雙龍出海
吳耀漢,葉德嫻,惠英紅非法入侵
尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達什·米霍克,艾米麗·梅德,尼可·托托雷拉鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien為了所有的女孩
埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩自拍復(fù)印機
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達瑪拉幕后花絮
狼蛛
本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運。 經(jīng)典科幻片,強烈推薦!
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.