貪婪的紅唇

荷蘭人

安德烈·霍蘭,凱特·瑪拉,斯蒂芬·亨德森,莎姬·貝茲,阿爾迪斯·霍吉,勞倫·E.班克斯,特蕾西·懷爾德,蘭尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托爾恩,凱文·泰勒·羅德里格斯,Hyunmin Rhee,Natasja Naarendorp,邁克爾·勞倫斯,Christopher Batyr,Christopher Cortez Adams,Mounir Quazzani

 Set on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.

驚奇隊長

布麗·拉爾森,裘德·洛,塞繆爾·杰克遜,本·門德爾森,安妮特·貝寧,麥肯娜·格瑞絲,克拉克·格雷格,嘉瑪·陳,李·佩斯,杰曼·翰蘇,拉什納·林奇,阿基拉·阿克巴,科林·福特,卓庫·莫度,肯內(nèi)特·米歇爾,羅伯特·卡辛斯基,詹姆斯·莫里森,皮特·普勞澤克,馬修·馬希爾,安東尼·莫利納利,馬修·弗林·貝羅斯,加斯頓·達爾莫,亞當·哈特,馬克·多爾蒂,雷尼爾·魯菲諾,約翰·蓋蒂爾,斯坦·李,克里斯·埃文斯,斯嘉麗·約翰遜,馬克·魯弗洛,唐·錢德爾

　　在圍剿斯克魯人的戰(zhàn)斗中，克里人星際戰(zhàn)隊成員弗斯（布麗·拉爾森 Brie Larson 飾）不幸成為對方的俘虜。斯克魯人嘗試探究弗斯的記憶，最終發(fā)現(xiàn)連弗斯本人都不知道的一段往事，進而也得知名為溫迪?勞森博士的女子掌握著他們急于得到的時空引擎。趁對方不備，擁有強大超能力的弗斯擺脫束縛，逃到了代號為C-53的地球，而這里也正是她那段失落的記憶的發(fā)生地。未過多久，神盾局探員弗瑞特工（塞繆爾·杰克遜 Samuel L. Jackson 飾）找上門來，而緊隨其后的斯克魯人更是引發(fā)了地球人前所未見的大騷動?！　≡谶@一過程中，弗瑞特工意識到事態(tài)的嚴重性，并且?guī)椭ニ拐J清本來的自己。倔強的弗斯，終于找到了真正需要保護的東西……

人工情報

趙寅成,樸正民,樸解浚,申世景

韓國國情院特工趙科長，奉命追查跨國犯罪集團，循著犧牲情報員的線索前往俄羅斯符拉迪沃斯托克，意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報源蔡善花展開博弈，卻同時被各自國家拋棄，被迫在忠誠、背叛與生死之間，聯(lián)手揭開邊境諜戰(zhàn)的驚天黑幕。

年少有你

張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞

　　墨彩寧（張善南 飾）是一名普通的高中學(xué)生，因為班主任（王天宇 飾）就是自家小姨，所以自己的一舉一動都逃不過小姨的法眼，平日只好偽裝成乖乖學(xué)生，但本質(zhì)上卻是一個不折不扣的追星達人。轉(zhuǎn)校生顧天琦（李明源 飾）的到來讓她本來平靜的生活發(fā)生了巨大轉(zhuǎn)變，她發(fā)現(xiàn)這位引人注目的同桌竟是偶像顧云凡（區(qū)天瑞 飾）的親弟弟，在顧天琦的囑咐下，墨彩寧答應(yīng)保守住這個秘密?？商厥馍矸莸南⑦€是不脛而走，也因此與閨蜜張公主（郭素潔 飾）產(chǎn)生了誤會，為了能讓張公主不再難過、顧天琦不再轉(zhuǎn)學(xué)，墨彩寧與同學(xué)袁遲（范云飛 飾）、同學(xué)童輝（李炎峰 飾）等人團結(jié)一心解決了困擾。在相處中，墨彩寧決心要成為像顧天琦一樣優(yōu)秀的人。轉(zhuǎn)眼到了寒假，在盛大的煙花下大家樹立了各自的人生目標，帶著珍貴的友誼走向憧憬的未來……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

殺手算命師

莎拉·墨菲,喬納森·斯托達德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒

　　在一位塔羅牌占卜師預(yù)言了一次偶遇后，肖恩開始相信命運，并為他的愛情生活和事業(yè)尋求進一步的建議。

隔壁的外星人

宇野祥平,前田旺志郎,吉村優(yōu)花,豬塚健太

本片改編自同名短篇科幻小說，講述了某一天開始在世界道路上行駛的無數(shù)球的故事，以交通事故為界變得無緣無故被人討厭的男人的悲劇，因為圓盤故障開始與住在附近的宇宙人的交流等。