迷情時(shí)空交叉點(diǎn)

? 9.8 播放：80萬(wàn) 2026-04-22

臺(tái)灣絕版影片,作家郝尚文租到鬼屋,因而結(jié)識(shí)女鬼司麗,進(jìn)而了解司麗生前之滄桑際遇,且產(chǎn)生憐憫.尚文自然認(rèn)識(shí)司麗以后,一直拖延繳稿日期.編輯靜宜及副社長(zhǎng)繳堂是其好友,兩人因尚文的行為而耽憂,也替尚文預(yù)先準(zhǔn)備一份副藁,以應(yīng)萬(wàn)一.怎知尚文卻交出瑯瑯萬(wàn)字的短篇作品;迷情交叉點(diǎn) ;的故事.情節(jié)不但動(dòng)人凄涼又溫馨,頗受各界贊賞肯定.此故事是司麗一生遭遇 (司麗丈夫政賢和好友艾美有奸情,害死司麗過(guò)程).也是司麗委托尚文發(fā)表的,但發(fā)表后,司麗竟不告而別,尚文很沮喪及思念.隔夜,司麗回來(lái)感謝尚文,兩人相見(jiàn)擁抱而泣,情不自禁ML,結(jié)果.............. 　　

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? 播放 迷情時(shí)空交叉點(diǎn)

劇情提要

臺(tái)灣絕版影片,作家郝尚文租到鬼屋,因而結(jié)識(shí)女鬼司麗,進(jìn)而了解司麗生前之滄桑際遇,且產(chǎn)生憐憫.尚文自然認(rèn)識(shí)司麗以后,一直拖延繳稿日期.編輯靜宜及副社長(zhǎng)繳堂是其好友,兩人因尚文的行為而耽憂,也替尚文預(yù)先準(zhǔn)備一份副藁,以應(yīng)萬(wàn)一.怎知尚文卻交出瑯瑯萬(wàn)字的短篇作品;迷情交叉點(diǎn) ;的故事.情節(jié)不但動(dòng)人凄涼又溫馨,頗受各界贊賞肯定.此故事是司麗一生遭遇 (司麗丈夫政賢和好友艾美有奸情,害死司麗過(guò)程).也是司麗委托尚文發(fā)表的,但發(fā)表后,司麗竟不告而別,尚文很沮喪及思念.隔夜,司麗回來(lái)感謝尚文,兩人相見(jiàn)擁抱而泣,情不自禁ML,結(jié)果.............. 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.