羅馬的房子 Habitación en Roma (2010)
影片上翻拍自一部智利2005年的電影《在床上》，但是導(dǎo)演將原片中的一男一女的結(jié)構(gòu)變成了兩個(gè)女孩的相遇。 初夏的第一個(gè)夜晚，擁有兩個(gè)孩子的西班牙母親阿爾芭(埃琳納·安娜亞 Elena Anaya 飾)，一周后即將嫁人的俄羅斯女孩娜塔莎(娜塔莎·亞羅溫科 Natasha Yarovenko 飾)，在意大利那充滿古韻的首都羅馬相遇。兩個(gè)女人的秘密，就這樣綻放在一個(gè)羅馬的房間。愛(ài)神的箭從天際射向了她們，欲望也為她們開(kāi)拓了一個(gè)曖昧又趣味的時(shí)刻，使兩人初相識(shí)的隱瞞與防衛(wèi)心，竟開(kāi)始逐一融。兩個(gè)女人的心事，就這樣交融在這樣一個(gè)沁涼的初夏。這是一場(chǎng)持續(xù)了12個(gè)小時(shí)的愛(ài)欲盛宴，它穿過(guò)了深夜、一直到天亮。清晨的降臨，預(yù)示著彼此的分離，她們要去面對(duì)現(xiàn)實(shí)生活與精神自由的考驗(yàn)。羅馬這座城市終究會(huì)變成她們一個(gè)中轉(zhuǎn)站，還是一個(gè)新的起點(diǎn)？
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
限時(shí)營(yíng)救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy StriarFollows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.
河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場(chǎng)打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現(xiàn)神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過(guò)去，或許她根本就是河鰻化身？視覺(jué)藝術(shù)家朱駿騰首部長(zhǎng)片，取景于臺(tái)北市內(nèi)遭限制開(kāi)發(fā)逾半世紀(jì)的社子島，建構(gòu)如夢(mèng)似幻的幽靈地帶，以濃烈的符號(hào)和隱喻，展現(xiàn)實(shí)驗(yàn)風(fēng)格，透過(guò)一段萍水相逢的奇遇，映照生命的困頓與無(wú)常，探索欲望與歸屬。柏林影展視角單元。
勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事發(fā)生在第一次世界大戰(zhàn)期間，英國(guó)聯(lián)軍和德軍之間的戰(zhàn)況日漸白熱化，每天都有無(wú)數(shù)的士兵們含恨死去，年僅十六歲的莎士比亞（杰米·貝爾 Jamie Bell 飾）亦參與了這場(chǎng)戰(zhàn)爭(zhēng)，戰(zhàn)場(chǎng)上傷痕累累的慘狀給他的心靈蒙上了厚厚的陰影?！ ∧橙?，莎士比亞和一干戰(zhàn)友們正在進(jìn)行一項(xiàng)突襲任務(wù)，就在大家凝神鼻息偷偷前進(jìn)之時(shí)，一股不知從何而來(lái)的神秘?zé)熿F將他們包圍。之后，一行人來(lái)到了德軍的戰(zhàn)壕內(nèi)，然而這里了無(wú)生氣，有的只是一具具死相及其恐怖的尸體。這里究竟發(fā)生了什么？莎士比亞所在的連隊(duì)繼續(xù)前進(jìn)，詭異的事情不斷發(fā)生，連隊(duì)中亦不斷的有人喪命，莎士比亞隱約覺(jué)得，在前方等待著他們的正是地獄的入口。
飛蛾日記
莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼美麗女孩蕾貝卡（莎拉·博格 Sarah Bolger 飾）是一家女子教會(huì)寄宿學(xué)校的學(xué)生，開(kāi)朗熱情的她在學(xué)校結(jié)識(shí)了許多好朋友，其中金發(fā)女孩露西（莎拉·戈登 Sarah Gadon 飾）與之關(guān)系最為融洽。二人形影不離，無(wú)話不說(shuō)，親密無(wú)間。新學(xué)期伊始，高挑冷艷的恩妮莎（莉莉·科爾 Lily Cole 飾）轉(zhuǎn)入她們的學(xué)校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適，可是露西似乎對(duì)其頗有好感，二人越走越近。與此同時(shí)，恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個(gè)恍如從哥特恐怖小說(shuō)中走出來(lái)的女子，究竟藏著怎樣的秘密…… 本片根據(jù)Rachel Klein 同名暢銷(xiāo)科幻恐怖小說(shuō)。
真實(shí)的謊言
阿諾·施瓦辛格,杰米·李·柯蒂斯,湯姆·阿諾德,比爾·帕克斯頓,蒂亞·卡雷爾,阿特·馬里克,艾麗莎·杜什庫(kù),格蘭特·赫斯洛夫,查爾頓·赫斯頓,馬紹爾·曼尼什,詹姆斯·艾倫,迪特爾·勞特爾,簡(jiǎn)·莫里斯,卡齊·查普爾,克麗絲蒂娜·懷勒,奧弗·薩姆拉哈里（阿諾?施瓦辛格 Arnold Schwarzenegger 飾）是美國(guó)FBI的高級(jí)特工，他正在奉命調(diào)查一起跨國(guó)核武器走私案件。出于安全考慮，哈里連結(jié)婚15年的妻子海倫（杰米?李?柯蒂斯 Jamie Lee Curtis 飾）都沒(méi)有告訴他的真實(shí)身份。 海倫是一名普通白領(lǐng)，平凡的生活已令她心生厭倦。一次，汽車(chē)商西蒙假扮FBI特工，溜到海倫家謊稱(chēng)自己被人追殺。緊張刺激的經(jīng)歷很快令海倫著迷?！ ∵@一切都沒(méi)有逃過(guò)真正的FBI特工哈里眼睛。哈里利用間諜偵查手段令到西蒙洋相百出，并化妝成法國(guó)人正欲調(diào)戲海倫時(shí)，被恐怖分子突然襲擊，兩人被挾持到一個(gè)熱帶小島。哈里和海倫最終能否逃出生天，挫敗恐怖分子陰謀？