劇情縱覽
這部電影真的實(shí)現(xiàn)了性感的黑色電影。 如果你是像任何好處，熱血，異性的美國男性，你可能只是想檢查出博的博dacious的身體 - 她可能提供她最好的屏幕上的L體在這其中，包括在摩托車上的一個(gè)相當(dāng)沉重的x愛場(chǎng)面。你絕對(duì)不會(huì)失望的！
在線暢看
臻選佳作
獸性
歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin
卡馬爾格，法國——內(nèi)吉瑪正在努力訓(xùn)練，以贏得當(dāng)?shù)氐亩放１荣悺Ｈ欢?，在一次慶?；顒?dòng)后，她被牛襲擊，開始注意到一些令人不安的變化。與此同時(shí)，一頭失控的公牛在社區(qū)中橫行，導(dǎo)致年輕男子接連喪命，令居民們感到恐慌。
嘎啦
瑪菲司,儲(chǔ)榢逸,李恩佑,徐灝翔
直播主瑪菲司一家抵達(dá)即將開幕的度假村舉辦活動(dòng)，然而他們從未料到，迎接他們的竟是恐怖的降臨。為了揭開真相，阿序和好友天仁召集了一群網(wǎng)友，再次前往度假村探險(xiǎn)，并希望通過這次探險(xiǎn)在網(wǎng)絡(luò)上獲取流量。殊不知，他們即將卷入一場(chǎng)自1960年延續(xù)至今、從未停止過的邪惡祭典。
逆轉(zhuǎn)上半場(chǎng)
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹
人生勝利組希文靠自己努力，打敗99.9%香港人，卻因誤信朋友面臨破產(chǎn)邊緣。由深水灣搬到深水埗，勢(shì)要在短時(shí)間內(nèi)極速債務(wù)重組，一日未認(rèn)輸一日都未輸！得知天真富二代正籌組足球聯(lián)賽，剛好同房表妹閑時(shí)會(huì)在街場(chǎng)與幾個(gè)小嘍啰踢波追夢(mèng)，有乜比基層追夢(mèng)更追夢(mèng)。當(dāng)然一波會(huì)有三折，到底希文與五個(gè)小孩又會(huì)如何踢出精彩的一局呢？典型格局非典型救贖，久違的溫情港產(chǎn)喜劇，笑聲笑聲滿載溫馨，注入我體內(nèi)，大小演員個(gè)個(gè)賣力演出，演活擅打逆境波的港人故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster