靈與肉

1.7 播放:42萬 2026-04-24

紹安從師學(xué)雕塑,不知不覺中迷戀上年輕的師母,在雕塑創(chuàng)作中經(jīng)?;孟霌崮熌傅纳眢w來得到靈感,為此他深感不安,決定離開。不料師傅卻有了情人,并設(shè)計(jì)陷害他和師母,於是一切最終沉淪在肉體和欲望之中  

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退伍軍官

亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital

曾經(jīng)為國家而戰(zhàn)的男人,如今必須對抗來自內(nèi)部的敵人,才能守護(hù)自己的家園與家人。

百日孤獨(dú)

伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅

  外星人侵占了地球,人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個(gè)忠誠的戰(zhàn)士,他被送到地面上來拯救幸存者并每天匯報(bào)情況。他的任務(wù)就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近,然而這每天的例行任務(wù)卻逐漸成為他的噩夢,令人恐懼的聲音在樹林里回蕩;基地每日都受到頻繁的攻擊;塔內(nèi)的電力供應(yīng)出現(xiàn)故障;修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過他有關(guān)上一任的事。孤獨(dú)感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎?還是S.U.M.1已經(jīng)被折磨到精神錯(cuò)亂了?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

狼人2025

克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_(dá)·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德

  布雷克(克里斯托弗·阿波特 Christopher Abbott 飾)是一名住在舊金山的丈夫和父親。當(dāng)他自己的父親失蹤并被判定死亡之后,他繼承了他位于俄勒岡州鄉(xiāng)下偏遠(yuǎn)地區(qū)的童年老家。當(dāng)他和他事業(yè)有成的女強(qiáng)人妻子夏莉特(朱莉婭·加納 Julia Garner 飾)的婚姻逐漸走向破裂,布雷克就說服夏莉特帶著他們年幼的女兒金潔(瑪?shù)贍栠_(dá)·弗 思 Matilda Firth 飾)一起離開城市,前往他的童年老家度假?! 〉钱?dāng)這一家人在深夜來到這座農(nóng)舍時(shí),他們突然遭到一只看不見的怪獸攻擊,為了逃離危險(xiǎn),他們就躲進(jìn)農(nóng)舍里面,并且將所有入口封住,而那只怪獸則在外面徘徊。當(dāng)他們驚懼地試圖度過漫漫長夜時(shí),布雷克卻開始出現(xiàn)奇怪的舉動(dòng),而且逐漸變成一種不知名的怪物,于是夏莉特就被迫必須決定:到底是屋內(nèi)的恐怖更致命,還是外面的危險(xiǎn)更可怕?

真情未語

Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz

  一位年輕的傳教士發(fā)現(xiàn)自己已故父親保守多年的秘密,于是從菲律賓前往西班牙去尋找父親的禁忌之愛。

巴勒斯坦36

杰瑞米·艾恩斯,羅伯特·阿拉馬約,利亞姆·坎寧安,比利·豪爾,克里斯托弗·維利爾斯,西婭姆·阿巴斯,薩姆·霍爾,雅絲敏·艾瑪斯利,尼古拉斯·莫斯,Mo'min Swaitat,薩萊·巴克里,尤娜·馬爾萬,達(dá)弗·阿比丁,索菲亞·達(dá)努,Aya Khalaf,Joanna Arida,喬治·斯梅爾,卡梅爾·埃爾·巴沙,亞當(dāng)·勞倫斯,亞亞·馬黑尼

  尤瑟夫每天都往返于他的農(nóng)耕村莊巴斯瑪和他在耶路撒冷城里的工作之間,滿懷熱情地努力在瞬息萬變的現(xiàn)代世界中尋找自己的位置。他年輕而躁動(dòng),更渴望擺脫鄉(xiāng)村生活的束縛,而不是被卷入其中的種種煩惱。尤瑟夫的故事與年輕寡婦拉巴布和她的女兒阿芙拉、粗獷的領(lǐng)袖哈立德、鞋匠兼當(dāng)?shù)厣窀缚ɡ锬返膬鹤右约盎盍λ纳涞亩际腥撕R德和她的商人丈夫阿明的故事交織在一起。