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絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時候，因為對前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉世投胎，在一次企圖逃跑的時候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個充氣娃娃的身上，被名為武志（王波文 飾）的男子買回了家?！ 渭兩屏嫉奈渲咀屌私鹕徳俣认嘈帕巳碎g有真愛，在幫助武志追求心儀的女神的同時，潘金蓮漸漸愛上了他，而武志也最終明白誰才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時間不多了。
生活殘骸
柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,喬什·塞加拉,瑞恩·法瑞爾,Robert E. Torres,吉姆·佛羅倫丁,Robert Kelly,Dan Soder,約翰·塞納,戴夫·阿特爾,瓦妮莎·貝爾,蒂爾達·斯文頓,蘭道爾·樸,喬·格拉瑟,埃茲拉·米勒,布麗·拉爾森,邁克·比爾比利亞,諾曼·勞埃德,比爾·哈德爾,勒布朗·詹姆斯,丹尼爾·雷德克里夫,瑪麗莎·托梅,戴夫·漢森,皮特·戴維森,吉姆·卡拉梅爾勒,馬索·曼恩,克勞迪婭·奧多爾蒂,凱文·凱恩,蒂姆·麥道斯,妮基·格女孩艾米（艾米·舒默 Amy Schumer 飾），從小被父親教導婚姻不現實，一夫一妻不現實，長大后熱衷泡吧，一直與不同男人約會卻從不戀愛。一天，身為男性雜志編輯的她，前去采訪一位專為運動員治療運動損傷的醫(yī)生亞倫（比爾·哈德爾 Bill Hader 飾），不料遇見了可能終結她完美單身生活的真命天子?！ ”酒膳鹘前住な婺巹?，根據她本人的真實經歷改編。
樂開懷
米歇爾·菲佛,菲麗希緹·瓊斯,科洛·葛蕾絲·莫瑞茲,伊娃·朗格利亞,詹森·舒瓦茲曼,丹妮爾·布魯克斯,茉德·阿帕圖,丹尼斯·利瑞,多米尼克·塞薩,陳沖,哈瓦娜·羅絲·劉,黛芙芮·雅各,海蒂·納賽爾,塞爾吉奧·杜克,伊?！た扑顾崂?賽迪·司各特,Rashal James,杰西賈姆斯·洛科里埃,羅克茜·里韋拉,Audrey Hui克萊爾（米歇爾·菲佛 飾）組織了一次特別的圣誕郊游活動，而她的家人卻在忙碌中將她遺忘。當他們意識到錯誤時，她已經失蹤了。他們的圣誕節(jié)岌岌可危，但克萊爾另有打算。
泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群泥娃娃，泥娃娃，一個泥娃娃?? 童謠的背後，隱藏著神秘驚悚的故事。在遊戲公司工作的旭川（楊祐寧 飾），為開發(fā)一項新的恐怖VR遊戲，意外將一尊來自兇宅現場的殘破泥娃娃帶回家，沒想到懷有身孕、身為文物修護師的妻子慕華（蔡思韻 飾）對其產生異常執(zhí)念，不斷進行修復。隨著家中怪事頻傳，慕華狀態(tài)也越來越虛弱，旭川無計可施，輾轉求助通靈驅魔人阿生（張軒睿 飾），而泥娃娃背後深埋的駭人祕密，也隨之浮出水面??
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.