劇情縱覽
故事設(shè)定在1990年,聚焦一群舞者共同參加為期3天的排演,后卻變?yōu)橥ㄍ酒返牡鬲z之旅,麻木使得有些人感覺置身天堂,但大多數(shù)人卻陷入地獄。
故事設(shè)定在1990年,聚焦一群舞者共同參加為期3天的排演,后卻變?yōu)橥ㄍ酒返牡鬲z之旅,麻木使得有些人感覺置身天堂,但大多數(shù)人卻陷入地獄。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
現(xiàn)代超忍繼承龍之一族血統(tǒng)的隼流忍者龍隼(リュウ?ハヤブサ,Ryu Hayabusa)因其父親被殺,而手持由龍牙削制成的龍劍(龍剣,Dragon Sword),踏上復(fù)仇之路,并最終消滅了邪鬼王和邪神。和邪鬼王宿命之戰(zhàn)的一年后……龍之忍者——龍·隼面臨著新的冒險。忍者龍劍傳是日本TECMO公司所推出的系列游戲,并於多種平臺發(fā)行,也是以超高難度見稱的動作游戲。本片改編自FC平臺的忍者龍劍傳三部曲的第二部《忍者龍剣伝II ~暗黒の邪神剣~》
在恐懼狀態(tài)下,兄弟會成員面臨著一個關(guān)鍵時刻,他們的主要領(lǐng)導(dǎo)人被轉(zhuǎn)移到最高安全級別的監(jiān)獄,威脅著該組織的穩(wěn)定。Elisa(Camilla Dami?o飾)是兄弟會創(chuàng)始人Edson(Seu Jorge飾)的18歲女兒,在犯罪邊緣長大,被腐敗的警察綁架。當(dāng)她的阿姨克里斯蒂娜(納魯娜·科斯塔飾)試圖營救她時,該團(tuán)伙下令進(jìn)入“恐懼狀態(tài)”,對警察局和安全部隊發(fā)動一波暴力襲擊,使圣保羅市陷入混亂。在動蕩之中,Elisa和Cristina努力應(yīng)對正義和暴力的困境,因為過去和現(xiàn)在的選擇相互碰撞,塑造了他們的命運。
1457年的清泠浦,一場注定失敗的守護(hù),一段永被銘記的情誼。