妹妹太愛我了怎么辦

7.6 播放：30萬 更新：2026-04-26

伝説になり損ねたインディーズバンドを解散して実家からも飛び出し、田舎町の別荘で気ままな創(chuàng)作活動(dòng)に明け暮れる兄の誠(chéng)司(島崎大)のもとにブラザーコンプレックスの妹、希(麻里梨夏)が押し掛けてきた。定職にも就かず浮世離れした兄を社會(huì)復(fù)帰させるために夏休みを利用してやって來たのだ。しかし、そこにはバンド時(shí)代からのメンバーであった美花(しじみ)が兄の世話をかいがいしくする姿があった。じつは誠(chéng)司と希は幼い頃それぞれの両親が再婚し、血の繋がりのない兄妹だった。そして微妙な空気の中、誠(chéng)司はその日から希とのエッチな夢(mèng)に悩ませられる事になる。そんなある日、美花が誠(chéng)司のメジャーデビューの為に枕営業(yè)を使ってまで呼び寄せた音楽プデューサーの安藤(稲葉凌一)が現(xiàn)れたことから事態(tài)は思わぬ方向へと流れていくのだが…

播放通道

詳細(xì)簡(jiǎn)介

伝説になり損ねたインディーズバンドを解散して実家からも飛び出し、田舎町の別荘で気ままな創(chuàng)作活動(dòng)に明け暮れる兄の誠(chéng)司(島崎大)のもとにブラザーコンプレックスの妹、希(麻里梨夏)が押し掛けてきた。定職にも就かず浮世離れした兄を社會(huì)復(fù)帰させるために夏休みを利用してやって來たのだ。しかし、そこにはバンド時(shí)代からのメンバーであった美花(しじみ)が兄の世話をかいがいしくする姿があった。じつは誠(chéng)司と希は幼い頃それぞれの両親が再婚し、血の繋がりのない兄妹だった。そして微妙な空気の中、誠(chéng)司はその日から希とのエッチな夢(mèng)に悩ませられる事になる。そんなある日、美花が誠(chéng)司のメジャーデビューの為に枕営業(yè)を使ってまで呼び寄せた音楽プデューサーの安藤(稲葉凌一)が現(xiàn)れたことから事態(tài)は思わぬ方向へと流れていくのだが…

同類推薦

壯志千秋

理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾

 故事發(fā)生在美國(guó)西部大開發(fā)時(shí)期，燕西（理查德·迪克斯 Richard Dix 飾）帶著妻子莎布拉（艾琳·鄧恩 Irene Dunne 飾）千里昭昭來到了廣袤而又荒蕪的俄克納馬拉，心里懷揣著遠(yuǎn)大的理想，希望能夠在這里做出一番建樹。俄克納馬拉的生活環(huán)境十分艱苦和險(xiǎn)峻，然而，夫妻兩人同心協(xié)力，慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過程中，在當(dāng)?shù)厣畹哪翀?chǎng)主們感到他們的利益受到了侵犯，他們常常會(huì)找燕西的麻煩，卻又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林c此同時(shí)，嫉惡如仇的燕西亦對(duì)壓迫和剝削原住民的資本家們充滿了仇恨，隨著時(shí)間的推移，雙方的矛盾漸漸尖銳起來。

春光乍泄

張國(guó)榮,梁朝偉,張震,格利高里·戴頓

 黎耀輝（梁朝偉）與何寶榮（張國(guó)榮）是一對(duì)同性戀人，為了有新的開始，他們懷著美麗的夢(mèng)想（去看南美洲大瀑布）離開香港來到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來過日子，無奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當(dāng)黎耀輝是他受傷后的港灣，兩人分歧 、爭(zhēng)吵越來越多，心的距離越來越遠(yuǎn)。黎耀輝明白過去的日子不可能再?gòu)?fù)返時(shí)，決定離開何寶榮，而正是在他離開后，絕望的意味（對(duì)黎耀輝的愛）才在何寶榮的腦海中完整地浮現(xiàn)。

輕聲告訴我

費(fèi)爾南多·林德斯,安德斯·維倫科索,帕特里夏·維柯,西莉亞·費(fèi)杰羅,Fernando Nagore,艾麗西婭·法爾科,Eve Ryan,Diego Vidales

　　改編自爆款《我的錯(cuò)誤》三部曲作者M(jìn)ercedes Ron的另一部Wattpad熱作《Dímelo bajito (Say It to Me Softly)》?！　all in love with the Di Bianco brothers.Your best friends. Your biggest downfall.　　Kamila Hamilton had everything under control ... or so she thought: it was not at all in her plans for the Di Bianco brothers to return once again and turn her world upside down.　　Thiago was her first kiss. Taylor, the one who always protected her. The brothers’ return causes Kami's seemingly perfect life to tumble. She is no longer the innocent child they once knew: since they left, it seems that no one has been able to get close to her ... no one but them.　　Will Kami be able to resist Thiago’s mere presence?　　What will happen when Taylor starts looking at her differently?　　Will everything explode into a thousand pieces just like last time?

頭顱游戲

Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison

　　9名年輕人醒來后，腦袋上插著攝像頭，他們是一場(chǎng)密室逃脫游戲的參與者，為了生存，必須相互殺戮，直到最后一人。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.