赤裸的謊言

評(píng)分：1.5 播放：32萬(wàn) 更新：2026-05-05

犯罪喜劇

主演： Shannon Tweed Fernando Allende Jay

FBI暫無(wú)內(nèi)容agent暫無(wú)內(nèi)容Cara暫無(wú)內(nèi)容Landry暫無(wú)內(nèi)容is暫無(wú)內(nèi)容sent暫無(wú)內(nèi)容on暫無(wú)內(nèi)容an暫無(wú)內(nèi)容undercover暫無(wú)內(nèi)容assignment暫無(wú)內(nèi)容to暫無(wú)內(nèi)容gather暫無(wú)內(nèi)容evidence暫無(wú)內(nèi)容on暫無(wú)內(nèi)容Damian暫無(wú)內(nèi)容Medina,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容Mexican暫無(wú)內(nèi)容casino暫無(wú)內(nèi)容owner暫無(wú)內(nèi)容running暫無(wú)內(nèi)容a暫無(wú)內(nèi)容counterfeiting暫無(wú)內(nèi)容operation暫無(wú)內(nèi)容for暫無(wú)內(nèi)容the暫無(wú)內(nèi)容Cali暫無(wú)內(nèi)容drug暫無(wú)內(nèi)容cartel.暫無(wú)內(nèi)容With暫無(wú)內(nèi)容virtually暫無(wú)內(nèi)容no暫無(wú)內(nèi)容backup,暫無(wú)內(nèi)容Cara's暫無(wú)內(nèi)容only暫無(wú)內(nèi)容way暫無(wú)內(nèi)容to暫無(wú)內(nèi)容accomplish暫無(wú)內(nèi)容her暫無(wú)內(nèi)容mission,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容stay暫無(wú)內(nèi)容alive,暫無(wú)內(nèi)容is暫無(wú)內(nèi)容lure暫無(wú)內(nèi)容Medina暫無(wú)內(nèi)容into暫無(wú)內(nèi)容a暫無(wú)內(nèi)容false暫無(wú)內(nèi)容sense暫無(wú)內(nèi)容of暫無(wú)內(nèi)容security暫無(wú)內(nèi)容and暫無(wú)內(nèi)容stay暫無(wú)內(nèi)容a暫無(wú)內(nèi)容step暫無(wú)內(nèi)容ahead暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容suspicious暫無(wú)內(nèi)容underlings.

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　　タイトル : 昭和殘俠伝: 唐獅子牡丹（期間限定生産）（生産完了）　　出演 : 高倉(cāng)?。锛炎樱虼ㄑ艔夭苛迹J田伸介／菅原謙二　　監(jiān)督 : 佐伯清　　不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の狀態(tài)に追いやられてしまった榊組の姿だった。左右田組の執(zhí)拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負(fù)い目もあって、榊組を助けることにするのだが…?！　「邆}(cāng)健の代表作の一つである「昭和殘俠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛(ài)情と、敵対しつつも育まれていく男の友情を描いている。監(jiān)督はシリーズの大半を手がけてきた佐伯清。若き日の高倉(cāng)健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。

真情未語(yǔ)

Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz

　　一位年輕的傳教士發(fā)現(xiàn)自己已故父親保守多年的秘密，于是從菲律賓前往西班牙去尋找父親的禁忌之愛(ài)。

邊境戰(zhàn)爭(zhēng)2

瓦倫·達(dá)萬(wàn),桑尼·戴爾,迪爾吉特·多桑,阿汗·謝迪,Hariom Kalra,莫娜·辛格,索納姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕蘭維爾·切瑪,阿努拉格·阿羅拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan

1971年印巴戰(zhàn)爭(zhēng)期間，年輕的印度戰(zhàn)士準(zhǔn)備保護(hù)自己的家園免受更大的威脅。

死亡回放

海莉·畢曉普,阿默·查達(dá)·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普

　　在遭遇一場(chǎng)致命的入室犯罪時(shí)，這名瑜伽老師的一生在眼前閃現(xiàn)，她因此拼命穿越回過(guò)去，拯救深愛(ài)的男子。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

妙藥春情

加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢(mèng)露

　　富頓教授（加里·格蘭特 Cary Grant 飾）是一位科學(xué)家，正在研究一種能夠讓人返老還童的神奇藥物。某一天，富頓用來(lái)試驗(yàn)藥物的黑猩猩從籠子里逃了出來(lái)，在實(shí)驗(yàn)室里“大鬧天宮”，沒(méi)想到竟然在誤打誤撞之下將富頓一直想要研制但始終沒(méi)有成功的神藥給搗鼓了出來(lái)?！　?duì)此一無(wú)所知的富頓在偶然間喝下了這種藥物，很快，藥效便發(fā)揮了作用，富頓一反常態(tài)，言行舉止儼然一幅二十歲小伙子的模樣。秘書路易斯（瑪麗蓮·夢(mèng)露 Marilyn Monroe 飾）前來(lái)拜訪富頓教授，沒(méi)想到卻被他邀請(qǐng)去游泳、溜冰。之后，富頓的妻子愛(ài)德華（金格爾·羅杰斯 Ginger Rogers 飾）亦誤食了藥物，一連串讓人忍俊不禁的趣事就此展開。

莎拉的石油

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　　一個(gè)出生在印第安區(qū)的黑人女孩意外繼承了一片充滿石油的土地，洶涌的黑金下，她將面對(duì)攫取、迫害、偏見(jiàn)、中傷，并用她的意外橫財(cái)去幫助他人。

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