劇情簡介
人到中年、有著一段失敗婚姻的某出版社高級主管中村琉依（鈴木京香暫無內(nèi)容飾），與年輕有為、熱忱干練的金融界新秀鈴木行（長谷川博己暫無內(nèi)容飾），兩個原本沒有任何交集的人因一次酒會而相識，更因一本具有遠見卓識的金融策劃書而成為一段戀人。鈴木一躍成為炙手可熱的金融王子，中村也憑借出版鈴木的新書而大賺特賺。可是他們進行的卻是一段不倫之戀，鈴木已和名門千金萬理江（深田恭子暫無內(nèi)容飾）結(jié)為夫婦，這對相差17歲的戀人不惜賭上各自的人生和事業(yè)。
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搭車客
為了謀生，一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運往西原。在旅途中，他面對了一個充滿不安靈魂的超自然世界、一個他渴望的神秘女孩，以及與他駕駛的救護車有關的黑暗真相。
挑戰(zhàn)未來
奧利弗·古魯內(nèi)爾,Tim Thomerson2027未來世界，恐怖主義彌漫全球，科技發(fā)達，使人類神經(jīng)系統(tǒng)可用人工磁片來取代。機器人為達到蠶食人類的大陰謀，先了綁架國際間各國領袖，繼而派遣機器人復制繁殖以取代世界統(tǒng)治者的霸權。洛杉磯警界的杰出人物「雨水艾力」（奧利佛·顧納飾）察覺這項陰謀，他尋求各種行動以阻止機器人的野心，而艾力身上卻已被植入百分之十三人工器官……
拍得不錯
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應采兒,苗僑偉,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創(chuàng)新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構(gòu)暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰(zhàn)鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命玩笑3
克麗斯滕·齊恩,本·霍靈斯沃斯,迪恩·阿姆斯特朗,肯·科齊格 Ken Kirzinger,Jesse Hutch,薩拉米切燥熱枯燥的長途旅行，怪物卡車司機“銹釘”（肯·科齊格 Ken Kirzinger 飾）的血腥旅程仍未結(jié)束，17號公路上布滿殘肢斷體，娛樂著他的邪惡趣味。某個平凡的路邊小餐館，奧斯汀（Gianpaolo Venuta 飾）、米克（Ben Hollingsworth 飾）、愛麗莎（Leela Savasta 飾）、鮑比（Jake Manley 飾）和茱爾（Kirsten Prout 飾）等五個準備參加公路汽車拉力賽的青年男女正在討論行車路線，他們向鄰桌打聽17號公路存在與否，卻得知了“屠殺小巷”的傳言和警告。 無所畏懼的年輕人當然不信這個邪，他們快意上路，并遭遇“銹釘”的卡車。年輕人仗著汽車性能的優(yōu)勢，恣意戲?！颁P釘”，但卻惹到了一個絕不能隨便招惹的惡魔……
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察，她的丈夫一直在為這個國家服務，她一直在幫她。瑞恩和托尼從來都不喜歡對方，而托尼試圖干涉他們的婚姻，事情變得激烈起來。但是，當瑞恩在夜晚開始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對丈夫的行為深表擔憂。隨著歲月的流逝，瑞恩很快就會發(fā)現(xiàn)他的噩夢在他身上縈繞著什么邪惡的存在。
遺忘尼克
英格麗德·波爾索·貝達爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格故事發(fā)生在車水馬龍的繁華大都市紐約，嘉德（英格麗德·波爾索·貝達爾 Ingrid Bols? Berdal 飾）是一名職業(yè)模特，擁有性感的身材和天使般的容貌，活躍在時尚秀場和雜志的封面之上?，斃麃啠巍と鹇?Katja Riemann 飾）性格溫柔又賢惠，獨自撫養(yǎng)著孩子，是一位堅強而又樂觀的單身母親。這看似八竿子打不到一起的兩人，她們的生命卻因為一個名叫尼克（哈魯克·比爾吉納 Haluk Bilginer 飾）的男人而被牢牢的拴在了一起，她們都曾瞎了眼和尼克有過一段失敗的婚姻，而根據(jù)婚前協(xié)議，兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中?！ 蓚€性格迥異的女人之間，戰(zhàn)爭一觸即發(fā)。