劇情縱覽
在同一個(gè)屋檐下,僅限一分鐘,夢(mèng)幻般的時(shí)間—— 以升入大學(xué)為契機(jī)住進(jìn)合租房的遼太。 在那里住著超絕美人的合租室友桃香和奏。 男女三人在生活中定下了「秘密的規(guī)則」 那就是“僅限一分鐘,觸碰哪里都會(huì)被允許的接觸點(diǎn)數(shù)" 撲通撲通心跳不停,甜美的合租生活開(kāi)始了——
在同一個(gè)屋檐下,僅限一分鐘,夢(mèng)幻般的時(shí)間—— 以升入大學(xué)為契機(jī)住進(jìn)合租房的遼太。 在那里住著超絕美人的合租室友桃香和奏。 男女三人在生活中定下了「秘密的規(guī)則」 那就是“僅限一分鐘,觸碰哪里都會(huì)被允許的接觸點(diǎn)數(shù)" 撲通撲通心跳不停,甜美的合租生活開(kāi)始了——
在同一個(gè)屋檐下,僅限一分鐘,夢(mèng)幻般的時(shí)間—— 以升入大學(xué)為契機(jī)住進(jìn)合租房的遼太。 在那里住著超絕美人的合租室友桃香和奏。 男女三人在生活中定下了「秘密的規(guī)則」 那就是“僅限一分鐘,觸碰哪里都會(huì)被允許的接觸點(diǎn)數(shù)" 撲通撲通心跳不停,甜美的合租生活開(kāi)始了——
電影主要講述了睿智沉穩(wěn)的徐文軒、外表文靜秀美但性格反叛火爆的白若雪,與偽君子海石在游戲世界相遇相識(shí)后,在現(xiàn)實(shí)世界里產(chǎn)生糾葛的愛(ài)情故事。
故事設(shè)定在“猿流感”病毒蔓延全球的背景下,人類(lèi)幾近毀滅,而進(jìn)化為高級(jí)智慧生物的猿類(lèi)一躍成為食物鏈頂端的王者。時(shí)移世異,暴虐的猿類(lèi)首領(lǐng)賽撒(凱文·杜蘭 Kevin Durand 飾)在一片廢墟中建立起猿族歷史上的第一個(gè)帝國(guó)——“猩球”崛起,這是世界新秩序誕生的黎明時(shí)分。神秘的人類(lèi)女孩諾娃(弗蕾婭·艾倫 Freya Allan 飾)的出現(xiàn),引起了賽撒的警覺(jué)。她似乎掌握著一個(gè)巨大的秘密,不僅關(guān)乎人類(lèi)的存亡,甚至可能再度顛覆整個(gè)“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊(duì)的過(guò)程中,與青年猿類(lèi)諾亞(歐文·泰格 Owen Teague 飾)的命運(yùn)交匯,揭開(kāi)了一段冒險(xiǎn)的旅程。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
平靜的湖畔小鎮(zhèn),疼愛(ài)兒子的單親媽媽早織(安藤櫻 飾)、為學(xué)生著想的爽直老師保利 (永山瑛太 飾)以及天真爛漫的孩子們本過(guò)著安穩(wěn)的生活,卻因?yàn)橐淮涡@沖突,發(fā)酵釀成軒然大波,惹起社會(huì)與媒體的關(guān)注。當(dāng)事態(tài)越見(jiàn)嚴(yán)重,竟在一個(gè)暴風(fēng)雨的清晨,兩個(gè)孩子雙雙失去了蹤影……