我要得太多，你給得太少 Cosa voglio di più

評分：0.7 播放：02萬 更新：2026-04-29

女子Anna和Alessio同居,當(dāng)文員的她挺滿足目前的生活,沒有甚么大理想,當(dāng)她認(rèn)識已婚男子Domenico后,一股激情在她們的內(nèi)心和城市沸騰著:當(dāng)愛情變得偷偷摸摸時(shí),城市的每個(gè)角落可以是天堂,也可以是地獄,突然之間,她們被誘惑去逃離目前的危險(xiǎn)處境...

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　　故事發(fā)生在上世紀(jì)90年代的一個(gè)美國小鎮(zhèn)上。扎克和喬西從童年時(shí)就是最好的朋友，他們每天一起騎車上下學(xué)，放學(xué)后一起玩耍，甚至喜歡上同一個(gè)女孩。然而平靜的生活在某天下午被徹底打破了。聚會因大麻而失控，朋友達(dá)里爾在教室里失血過多身亡，男孩們恐慌無措地要彼此發(fā)誓保密，扎克簡單的生活仿佛被撕開了一道巨大的口子，整日被罪惡感壓迫地喘不過氣，喬西則索性不再上學(xué)，甚至不再走出家門一步。曾經(jīng)密不可分的兩個(gè)男孩在數(shù)日后便產(chǎn)生了不可逾越的鴻溝……

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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