狐步舞 Foxtrot (1982)

★ 4.9 播放：13萬 更新：2026-04-23

New Year's Eve day starts with rich old Mr. Luther seducing his maid D'Arcy. Zelda the artist is then shown touching herself. Ross the trumpet player gets an alternate treatment for his hangover by his lover Celeste. Louis the sailor hurries home to his missed girlfriend Betsy, and finds himself joining her and lesbian Faith. Ross fights and makes up with Brandy the singer. Erin the babysitter gets it on with her boyfriend Jonathan. Having enough, Louis heads to a pub and finds himself leaving with a lonely wife. Her husband Artie does the same with Zelda. The party begins as Celeste arrives as Mr. Luther's caterer and catches him with his maid. She hides in the laundry room after he tries to do the same with her, but he follows her and his maid locks it externally. Elsewhere, Alice the starlet tries to get a casting couch with Roman the producer, while her mother Gloria is picked up in the party by younger guest Arthur.

在線播放

劇情簡介

New Year's Eve day starts with rich old Mr. Luther seducing his maid D'Arcy. Zelda the artist is then shown touching herself. Ross the trumpet player gets an alternate treatment for his hangover by his lover Celeste. Louis the sailor hurries home to his missed girlfriend Betsy, and finds himself joining her and lesbian Faith. Ross fights and makes up with Brandy the singer. Erin the babysitter gets it on with her boyfriend Jonathan. Having enough, Louis heads to a pub and finds himself leaving with a lonely wife. Her husband Artie does the same with Zelda. The party begins as Celeste arrives as Mr. Luther's caterer and catches him with his maid. She hides in the laundry room after he tries to do the same with her, but he follows her and his maid locks it externally. Elsewhere, Alice the starlet tries to get a casting couch with Roman the producer, while her mother Gloria is picked up in the party by younger guest Arthur.

導演精選

新咒怨(美版)

　　一名年輕的單親媽媽兼警探莫頓發(fā)現(xiàn)郊區(qū)的一間房子遭到一個復仇怨靈所詛咒，這使進入房子內(nèi)的人都會慘死。進入被詛咒的屋子中的她們必須設法從中救出自己和她的兒子，以免受怨靈的襲擊。

開麥了嗎？

　　經(jīng)過多年的共同生活，亞歷克斯和苔絲最終和平地結束了他們的婚姻，也由此開啟了一個尷尬的階段：他們開始摸索如何在各自獨立生活的同時，撫養(yǎng)兩個兒子，并維持彼此的友誼。亞歷克斯發(fā)現(xiàn)了自己新的愛好，投身于喜劇表演之中，而苔絲則開始直面自己為家庭做出的犧牲。本片根據(jù)英國著名喜劇演員約翰·畢曉普的人生經(jīng)歷改編。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.