早產(chǎn)兒

　　年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來的十年里，她匿名生活，試圖使兒子免遭她小時候所經(jīng)歷的恐怖，但有邪惡跟著她，現(xiàn)在，她必須面對邪惡，或者失去孩子……

　　環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時候結(jié)識日后的同事米卡拉。米卡拉偶而會不識趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人。　　本片獲1987年芬蘭電影尤西獎最佳影片獎。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級三部曲的第一部。

　　老么記者詩京潛入邪教團(tuán)體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻(xiàn)上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當(dāng)集滿身體所有部位時，血淋淋的恐懼就會覺醒！

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.