拿開(kāi)你的手
未成年少女電影Jailbait.2013,堅(jiān)韌不拔的未來(lái)時(shí)代的驚悚片約一個(gè)年輕的女孩發(fā)tojuvenile監(jiān)獄為她的虐待繼父的謀殺。該filmfollows安娜尼克斯的旅程變成一個(gè)所有女孩在黑暗的世界jailwhere她發(fā)現(xiàn)復(fù)雜的人際關(guān)系，-物，精神疾病和hereventual尋求救贖。
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冒牌人生
史哲文,樊瑞,董祥玉,任重,汪雨升高端帶貨女王陳曼和井已面館墮落胖子齊晟，因?yàn)橐粓?chǎng)意外雙方互換身體，體驗(yàn)了一系列啼笑皆非的故事后最終領(lǐng)悟到人間真情的喜劇愛(ài)情故事。
瘋狂的酒局
王李丹鈮,丁海峰,李國(guó)麟,杜玉明,徐光宇,韓三明,張賀,戴天,朱楒憶電影講述張曉軍夫婦發(fā)現(xiàn)倒賣(mài)醬丞相期貨酒可以賺錢(qián)，于是開(kāi)始一系列的買(mǎi)賣(mài)操作，可實(shí)際上他們中了對(duì)方的詐騙圈套，為了要回被騙的錢(qián)財(cái)，夫婦倆斗智斗勇成功抓捕騙子。本片是一部反詐騙題材的喜劇電影。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
今夜，就算這份愛(ài)戀?gòu)氖澜缟舷?025
秋泳愚,申詩(shī)雅高中女生每天醒來(lái)時(shí)，都不記得昨天發(fā)生的事。她決定與一位拘謹(jǐn)?shù)耐瑢W(xué)交往，面對(duì)每一天的嶄新開(kāi)始，兩人的愛(ài)能順利茁壯嗎？
刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國(guó)強(qiáng),秦沛,谷峰,曾江,吳君如民初時(shí)代國(guó)家動(dòng)蕩不安，軍閥割據(jù)導(dǎo)致民不聊生。曹云(林青霞飾)是大軍閥曹將軍的女兒，也是一個(gè)愛(ài)國(guó)者。但是不愿見(jiàn)到父親幫助袁世凱以國(guó)家的名義向外國(guó)銀行借貸巨款，讓國(guó)家的財(cái)務(wù)更雪上加霜，于是偷偷與革命人士聯(lián)絡(luò)。但是一邊是國(guó)家，一邊是父親也讓曹云不知如何取舍而陷入內(nèi)心的掙扎。白妞(葉倩文飾)從小在戲班春和班長(zhǎng)大，被戲班主的父親（午馬飾）當(dāng)作丫環(huán)使，癡迷唱戲的她一直希望登臺(tái)表演，卻沒(méi)有機(jī)會(huì)；湘紅(鐘楚紅飾)是一位貪財(cái)?shù)母杓?，趁某軍閥逃跑時(shí)偷走其家中一大箱珠寶，卻誤打誤撞讓珠寶運(yùn)進(jìn)了春和班里。這三位在姻緣巧合下結(jié)識(shí)，透過(guò)這三位主角的生命交錯(cuò)，共同譜出一段愛(ài)國(guó)傳奇......
白天是阿波羅，晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內(nèi)嫩,內(nèi)拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一個(gè)妓女、一位女祭司以及其他神秘人物。在他們的指引下，她開(kāi)始尋找拋棄她的母親。這部由充滿潛力的女導(dǎo)演艾米妮·耶爾迪勒姆（Emine Yildirim）執(zhí)導(dǎo)的處女作，以西戴為背景。西戴是古希臘的一個(gè)殖民地，曾是位于今日安塔利亞附近的繁榮港口城市。電影《日為阿波羅，夜為雅典娜》標(biāo)題中的兩位希臘神祇分別是理性之神太陽(yáng)神阿波羅和智慧、手工藝及戰(zhàn)爭(zhēng)女神雅典娜。這部影片是一部充滿奇幻色彩的劇情片，講述了女性與男性、生者與死者的故事。