尋狗記

致命錄像帶：超越

　　通過一部偽紀(jì)錄片《未解之謎》五個(gè)故事娓娓道來：警察進(jìn)入古宅尋找孩子遭遇神秘生物；一群印度狗仔隊(duì)發(fā)現(xiàn)寶萊塢女星并非鏡頭般光鮮亮麗；幾個(gè)朋友必須在遭遇外星人入侵之后與客機(jī)相撞的高空跳傘中幸存；動(dòng)物權(quán)利組織闖進(jìn)痛失愛犬的女士住宅后將經(jīng)歷至暗時(shí)刻；以及一位沙漠中的母親調(diào)查莫哈韋沙漠幽浮飛船后成為飛船偷渡者……

我們是伯利恒

　　2014年，阿根廷圖庫曼省；一名年輕女性因劇烈腹痛入院，當(dāng)時(shí)她并不知道自己已有身孕。醒來時(shí)，她發(fā)現(xiàn)自己被手銬銬在輪床上，周圍全是警察。她被指控自行墮胎，在拘留兩年后，因加重殺人罪被判處八年監(jiān)禁。　　圖庫曼省的一位女律師將為她的自由而戰(zhàn)，數(shù)千名女性與眾多組織紛紛聲援，她們團(tuán)結(jié)起來，試圖改變歷史的走向。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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