滿清禁宮奇案

★ 5.8 播放：61萬 更新：2026-04-28

別名：滿清禁宮秘史 清代同治皇帝，因常常私出禁宮，尋歡作樂，終染梅毒而歿，被視為荒y-君主，但是事情背面，卻有一段哀怨慟人的愛情故事。同治（宋本中飾）雖貴為皇帝，卻無實(shí)權(quán)，事事皆由慈禧太后作主，年少氣盛的同治深感不滿，但卻無法，只好與宮女桂蓮（翁虹飾）傾吐。桂蓮與同治兩小無猜，年歲比同治為大，事事關(guān)懷，形同姐弟，但是二人內(nèi)心深處，均視對方為情人。親政之前，慈禧為同治選皇后，慈禧早已內(nèi)定慧妃為后，豈料同治自以為是，自立皇后，母子聯(lián)系再增隔閡，從此種下禍根。慈禧貼身宦官安德海一貫垂涎桂蓮美色，三番四次對桂蓮不敬，終為同治知悉，聯(lián)同小李子（梁思浩飾）及徵貝勒（王書麒飾），將之怒打，安德海懷恨在心，在慈禧面前進(jìn)言，逐桂蓮出宮，然后加以y-虐。最終更將之賣落八大胡同當(dāng)娼。機(jī)緣巧合下練成床上必殺技『天龍八部』。大婚之夜，皇后承歡，但是在同治心中，一直視皇后為桂蓮的化身。不多，風(fēng)聞桂蓮在八大胡同呈現(xiàn)，同治遂在徵貝勒安排下私出禁宮，尋覓桂蓮下落。桂蓮未能尋獲，卻為花花世界所招引，先被白俄羅斯女郎色誘上床，繼而迷上妓女的超凡床上技，不時(shí)以尋覓桂蓮為藉口，收支八大胡同。在機(jī)緣巧合下，同治與桂蓮重逢，二人彷如隔世。但是同治已染上梅毒，并且病發(fā)，桂蓮為之沉痛不已。另一方面，慈禧決以天花之癥治療同治，避免丑事外揚(yáng)。同治臨終前夕，命令暗算安德海，以報(bào)桂蓮之辱。成果安德海被誅，同治駕崩，桂蓮毀容殉帝，以示貞操。 　　

在線播放

劇情簡介

別名：滿清禁宮秘史 清代同治皇帝，因常常私出禁宮，尋歡作樂，終染梅毒而歿，被視為荒y-君主，但是事情背面，卻有一段哀怨慟人的愛情故事。同治（宋本中飾）雖貴為皇帝，卻無實(shí)權(quán)，事事皆由慈禧太后作主，年少氣盛的同治深感不滿，但卻無法，只好與宮女桂蓮（翁虹飾）傾吐。桂蓮與同治兩小無猜，年歲比同治為大，事事關(guān)懷，形同姐弟，但是二人內(nèi)心深處，均視對方為情人。親政之前，慈禧為同治選皇后，慈禧早已內(nèi)定慧妃為后，豈料同治自以為是，自立皇后，母子聯(lián)系再增隔閡，從此種下禍根。慈禧貼身宦官安德海一貫垂涎桂蓮美色，三番四次對桂蓮不敬，終為同治知悉，聯(lián)同小李子（梁思浩飾）及徵貝勒（王書麒飾），將之怒打，安德海懷恨在心，在慈禧面前進(jìn)言，逐桂蓮出宮，然后加以y-虐。最終更將之賣落八大胡同當(dāng)娼。機(jī)緣巧合下練成床上必殺技『天龍八部』。大婚之夜，皇后承歡，但是在同治心中，一直視皇后為桂蓮的化身。不多，風(fēng)聞桂蓮在八大胡同呈現(xiàn)，同治遂在徵貝勒安排下私出禁宮，尋覓桂蓮下落。桂蓮未能尋獲，卻為花花世界所招引，先被白俄羅斯女郎色誘上床，繼而迷上妓女的超凡床上技，不時(shí)以尋覓桂蓮為藉口，收支八大胡同。在機(jī)緣巧合下，同治與桂蓮重逢，二人彷如隔世。但是同治已染上梅毒，并且病發(fā)，桂蓮為之沉痛不已。另一方面，慈禧決以天花之癥治療同治，避免丑事外揚(yáng)。同治臨終前夕，命令暗算安德海，以報(bào)桂蓮之辱。成果安德海被誅，同治駕崩，桂蓮毀容殉帝，以示貞操。 　　

導(dǎo)演精選

線人1973

　　根據(jù)史上１００部偉大推理小說改編而成　　●一區(qū)標(biāo)準(zhǔn)版，全新數(shù)字修復(fù)高清版　　本片《線人》是根據(jù)史上100部偉大推理小說，改編而成，是導(dǎo)演彼得·葉茲經(jīng)典作品之一；愛迪是一個(gè)交友廣泛的人，但世界上卻沒有是永遠(yuǎn)的朋友；因?yàn)樯磉叺娜?，正在處心積慮地準(zhǔn)備把愛迪重新送回監(jiān)獄；為了逃脫這個(gè)悲慘命運(yùn)，愛迪干起了走私軍火的生意，他把軍火賣給那些準(zhǔn)備搶銀行和干綁架的“朋友們”但不知不覺間，這個(gè)強(qiáng)盜內(nèi)部，似乎有警察的臥底，到底是誰呢？他們的搶劫行動到底能不能成功呢？！

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

妖獸都市

　　故事發(fā)生在未來世界，阿龍（黎明 飾）和阿強(qiáng)（張學(xué)友 飾）都是抓捕妖獸的特警隊(duì)警員，但是上司（袁和平 飾）非常器重阿龍，而對阿強(qiáng)就戒心重重。阿強(qiáng)氣不過在酒吧買醉，得到了女友（李若彤 飾）的支持寬慰。然而，他心頭總是籠罩著陰影——原來阿強(qiáng)的母親也是妖獸，后來他把這個(gè)隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬（李嘉欣 飾）的一段感情……　　此后，阿龍?jiān)谝淮巫ゲ对笞冢ㄖ俅_(dá)矢 飾）的行動中，重逢了現(xiàn)已成為元妻的幻姬，情急之下卻要引出重重誤會。其實(shí)，元大宗是要跟人類合作的妖獸，但是另有一股液態(tài)妖獸正在肆虐地侵襲這個(gè)城市。在對抗液態(tài)妖獸的過程中，阿龍與幻姬的感情經(jīng)歷了生死的考驗(yàn)，但是元大宗的兒子鬼眾道（張耀揚(yáng) 飾）卻設(shè)計(jì)離間意圖消滅人類，與此同時(shí)阿強(qiáng)也發(fā)現(xiàn)了特警隊(duì)的叛徒……