卿本佳人
羅艷卿在①雷雨之夜，獨(dú)自在公司加班，突然被同事佐治強(qiáng)暴，其間卿錯(cuò)手將其殺死，佐治失蹤后引起的議論令卿忐忑不安，她在夜總會(huì)借酒澆仇時(shí)巧遇舞釹雯雯，雯雯的相貌與卿異常相似，卿即利用她喬裝自己身份。雯被仇家追殺，幸得林嘉星相救，對(duì)其產(chǎn)生好感。星是公司的行政總裁，雯以卿的身份接近星，兩人感情漸進(jìn)之際，雯的身份被揭穿，只好重舞釹職業(yè)，但星不計(jì)較雯之身份，毅然向雯求婚，兩人①起步上幸福之路
即刻觀影
劇情賞析
編輯推薦
落難女子
羅伯特·帕丁森,米婭·華?？莆炙箍?大衛(wèi)·澤爾納,內(nèi)森·澤爾納,羅伯特·福斯特影片被描述為“對(duì)西部題材充滿愛意的重塑”。帕丁森飾演的Samuel是一位富有的拓荒者，他冒險(xiǎn)穿越邊境，為了與一生摯愛Penelope（米婭·華?？莆炙箍棧┏捎H。Samuel與一個(gè)酒鬼和一匹叫作“奶油糖果”的小型馬同行，然而簡(jiǎn)單的旅程卻變得危險(xiǎn)重重。
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵(lì),邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢(mèng)瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀(jì)實(shí)風(fēng)格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵，傷兵醫(yī)院傷兵組成的留守團(tuán)在主力部隊(duì)西征后堅(jiān)持在老游擊區(qū)牽制敵人主力，于重重圍剿中突圍，進(jìn)入蘇聯(lián)整訓(xùn)，整編為抗聯(lián)第88教導(dǎo)旅打回東北的真實(shí)故事。 影片透過12歲女戰(zhàn)士李童的視角，塑造了耿團(tuán)長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護(hù)，犧牲、被俘、最終生還的殘酷歷程?！ ”酒木幾宰詈笠粋€(gè)離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄?！ ∵@是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導(dǎo)旅再到打回東北的全過程。
圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku該片講述了偉大衛(wèi)國戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。
狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運(yùn)用特效，讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸，它四處破壞，但始終免不了滅亡的命運(yùn)。 經(jīng)典科幻片，強(qiáng)烈推薦！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人工情報(bào)
趙寅成,樸正民,樸解浚,申世景韓國國情院特工趙科長，奉命追查跨國犯罪集團(tuán)，循著犧牲情報(bào)員的線索前往俄羅斯符拉迪沃斯托克，意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報(bào)源蔡善花展開博弈，卻同時(shí)被各自國家拋棄，被迫在忠誠、背叛與生死之間，聯(lián)手揭開邊境諜戰(zhàn)的驚天黑幕。