咸濕先生
別名：Bedside Mazurka/Mazurka pa sengekanten/丹麥情色電影精選 一個(gè)男孩的寄宿學(xué)校里來了個(gè)接職的女校長。原本學(xué)生對性和婚姻認(rèn)知上的的困惑就是整個(gè)學(xué)校面臨的最大問題，于是校董們決定要改變學(xué)生的性朦朧現(xiàn)狀。馬克斯被選中來負(fù)責(zé)解決這個(gè)問題。然而，馬克斯在這方面也是憨男一個(gè)，因此他決定從了解女性開始，但一直不得要領(lǐng)。直到有一天他為了了解性器材逛色情商業(yè)街時(shí)，偶遇校董的千金，他的運(yùn)氣開始了逆轉(zhuǎn)......
即刻觀影
劇情賞析
編輯推薦
指控之后
普拉蒂巴·蘭塔,康柯納·森·沙爾瑪Netflix即將上映的電影“無聊”不僅僅是一部驚悚片，而是對社會思維的尖銳質(zhì)疑。一個(gè)被困在身份和信任之間的醫(yī)生的故事 - 在判決法庭之前，社會會聽到。準(zhǔn)備好觀看Konkana Sen Sharma的壓倒性化身。Netflix將再次推動(dòng)印度原創(chuàng)內(nèi)容的極限。OTT巨頭宣布其即將推出的心理戲劇驚悚電影“無聊”，這將于2026年發(fā)布。在這個(gè)嚴(yán)肅而多層次的故事中，Konkana Sen Sharma和天才Ranta將扮演主角。
雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛(wèi),林迪安阿姆斯特丹，兩個(gè)男人愛上了同一個(gè)女人，注定了一段糾纏的故事?；葭ㄈ琴t飾）是畫家，每天到廣場幫路人畫肖像，而像她一樣風(fēng)雨不改的，還有某人送來的一盤雛菊。每天雛菊總是準(zhǔn)時(shí)送到，讓她心里悸動(dòng)而好奇。一天，匆匆而過的正佑(李成宰 飾)遇上了畫家。他本是國際警察，來這個(gè)城市追捕殺手，然而卻迷上了溫婉動(dòng)人的惠瑛，他讓惠瑛幫他描肖像，他們的愛情在萌發(fā)盛開。這些情景，送花人看在眼里，痛在心里。他的身份注定了他必須給正佑讓出位置，對惠瑛默默付出。因?yàn)椋褪钦铀鶎ふ业臍⑹謽懔x(鄭宇成 飾)。但是，強(qiáng)烈的愛終究讓他不再躲在暗處，他決心爭取幸福。二人在法律上，感情上的鮮明對立，注定了不能完滿的結(jié)局，鮮血在惠瑛描有雛菊的花布上蔓延開來……
女孩2025
邱澤,湯毓綺,白小櫻,林品彤,賴雨霏,劉品言,陳竹升,曾珮瑜,梁正群,謝瓊煖,黃鐙輝,劉冠廷1988年，基隆港煙塵蔽日，林小麗（白小櫻 飾）在迷惘中長大，渴望逃離黑暗。 直到遇見無懼眼光、自在生活的李莉莉（林品彤 飾），她才第一次看見世界的色彩。 然而，這份向往卻觸動(dòng)了母親（湯毓綺 飾）的過往創(chuàng)傷。 當(dāng)年，她也曾憧憬未來，卻被現(xiàn)實(shí)困住。 女孩與女人，在交錯(cuò)的命運(yùn)中互相映照，像一面鏡子照出彼此的傷卻無能為力。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
殺手算命師
莎拉·墨菲,喬納森·斯托達(dá)德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒在一位塔羅牌占卜師預(yù)言了一次偶遇后，肖恩開始相信命運(yùn)，并為他的愛情生活和事業(yè)尋求進(jìn)一步的建議。
恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi以下兩位千禧一代將他們不擁有的紐約公寓賣給了不知道自己被騙的新買家。這個(gè)騙子干得很出色，直到他們遇到了一個(gè)公寓老板，他有一個(gè)黑暗的秘密，把這個(gè)游戲玩弄在他們身上。