劇情縱覽
正浩（李東奎暫無(wú)內(nèi)容飾）是一名作家，正在創(chuàng)作一部小說(shuō)。他和妻子智秀（金貞善暫無(wú)內(nèi)容飾）結(jié)婚多年，可妻子卻依然對(duì)風(fēng)流的丈夫放心不下，時(shí)時(shí)疑心四起?；萑剩n荷宥暫無(wú)內(nèi)容飾）是清純善良的女大學(xué)生，因?yàn)闃用埠驼频某鯌偾槿烁裢庀嘞穸鹆苏频淖⒁狻?
在線暢看
臻選佳作
防空洞
維羅尼卡·莫希雷娃,伊戈?duì)枴e特連科,Fyodor Lavrov,Mikhail Novikov,阿列克謝·舍甫琴科夫,亞歷山大·梅喬金,Maksim Saprykin,瑪格麗塔·阿布羅斯金,Nikita Abdulov,迪安·邁耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan
一對(duì)朋友，一個(gè)德國(guó)人和一個(gè)俄國(guó)人，穿越時(shí)空最終來(lái)到了1941年。兩位朋友被迫做出決定，并要應(yīng)對(duì)他們無(wú)法想象的困難。他們的友誼能否度過(guò)難關(guān)，保羅和謝爾蓋又會(huì)站在哪一邊？
尋秦記電影版
古天樂(lè) , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國(guó)邦 , 黃文標(biāo) , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照
來(lái)自21世紀(jì)的項(xiàng)少龍（古天樂(lè) 飾）曾意外穿越，并助秦王（林峯 飾）一統(tǒng)天下，這段跨越時(shí)空的宿命糾纏將兩人緊緊捆綁，兩人也成為亦師亦友的情感羈絆。然而，在項(xiàng)少龍歸隱田園多年后，未知穿越者卻驟然降臨，大國(guó)基業(yè)陷入傾覆危機(jī)，秦王不得不求助于早已不問(wèn)世事的項(xiàng)少龍。面對(duì)足以顛覆歷史的強(qiáng)敵，他們能否放下芥蒂聯(lián)手抗敵？那段摻雜著師徒之恩、君臣之畏與知遇之情的情感，又將成為保護(hù)彼此的鎧甲，還是刺向?qū)Ψ降睦校?
靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen
一位邪惡的馬戲團(tuán)老板在幾位高中生的小鎮(zhèn)上演“鬼屋”，他們必須抗拒他的魔咒。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster