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哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內(nèi)特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓鬼屋脫身
Jaclyn Betham,絲柯·泰勒-考普頓,蘭德里·阿爾伯特,萊恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo同類推薦
冰封之地
尼古拉斯·凱奇,約翰·庫薩克,凡妮莎·哈金斯,凱瑟琳·拉·納莎20世紀80年代初,站街流鶯辛蒂(瓦妮莎·哈金斯 Vanessa Hudgens 飾)險些遭人殺害。與此同時,在阿拉斯加一處荒涼所在,一名女性尸體被人發(fā)現(xiàn)。警官杰克·海爾康伯(尼古拉斯·凱奇 Nicolas Cage 飾)從辛蒂處了解到,兇手手段殘暴無情,并且可能是個連環(huán)殺手。由于背負著不堪回首的過去,杰克一方面決定保護這個僥幸從死神手中逃脫的女孩,另一方面將目標鎖定在曾在70年代有過前科的男子羅伯特·漢森(約翰·庫薩克 John Cusack 飾)身上。羅伯特道貌岸然,不動聲色繼續(xù)著他的獵殺活動,當他意外再度出現(xiàn)在辛蒂面前時,正邪雙方的對決即將到了關鍵時刻…… 本片根據(jù)真實事件改編。
定格惡魔
艾斯琳·弗蘭喬茜,斯特拉·古奈特,湯姆·約克,凱奧林·斯普林加爾,詹姆斯·斯旺頓,Joshua J Parker,Jaz Hutchins,Bridgitta Roy一位定格動畫師,在失去專橫的母親后,正在努力控制自己內(nèi)心的的惡魔。她孤身一人,開始創(chuàng)作一部令人毛骨悚然的定格動畫電影,這部電影很快就成為她理智的戰(zhàn)場。當她的精神開始崩潰時,她的動畫電影中的角色有了自己的意志,她釋放的想象力威脅著摧毀她的生活。
裂口女2
飛鳥凜,川村雪繪,巖佐真悠子,真山明大,谷口賢志,草野康太,中野英雄,齋藤洋介,林未紀澤田家在岐阜縣經(jīng)營養(yǎng)雞場,家里有三個姐妹花。大女兒澤田幸子(川村雪繪 飾)馬上就要結(jié)婚,二女兒澤田雪枝(巖佐真悠子 飾)在美容院工作,小女兒澤田真弓(飛鳥凜 飾)正讀中學,生性活潑。然而,突如其來的慘劇將幸福的一家推入了深淵。雪枝過去的男朋友鈴木因為妒火攻心,想要加害雪枝,不料卻把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容,兩個姐姐陪伴在她身邊不斷鼓勵她?! 〔痪煤?,真弓學校的同學以及畢業(yè)生接連被殺,整個街區(qū)籠罩在恐怖的陰影之中……
醫(yī)神
張達明,蔡少芬,伍詠薇,黎耀祥,雷宇揚,徐錦江,梁榮忠,許紹雄,莫少聰,傅明憲,朱潔儀,陳國邦,陳怡芳,高林生田七(張達明 飾)是個精人,常喝醉打妻子當歸(蔡少芬 飾),當歸痛定思痛發(fā)誓要對夫報復,剛巧城中富商羅漢果欲尋名醫(yī),當歸于是謊稱丈夫會醫(yī)術,并且要用精棍子揍田七,他才會應允他人治醫(yī),羅漢果信以為真,不但將田七痛打一頓,并將其接入家中,于是一場啼笑皆非的鬧劇開始了……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster