即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偽裝大師1：維多女人
陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳關(guān)鍵一晚終于來臨，黃渤扮演的黃總，邀請收藏愛好者來自己家參觀，藺先生如今也是其中一員，帶著王森來了。藺先生發(fā)現(xiàn)黃渤家里有三幅《維多女人》仿品，都是有一定年頭的值錢貨，但藺先生從特定角度，發(fā)現(xiàn)了其中一幅畫的標(biāo)記，這是王森之前交他辨別真假的方法，王森也證明的確是真品。藺先生發(fā)現(xiàn)這是真品后非常激動(dòng)，要趁別人都沒發(fā)現(xiàn)之前買下這幅畫。黃渤看藺先生這么感興趣，開玩笑般開出天價(jià)，藺先生立刻答應(yīng)，并且要求當(dāng)場成交。 成功了！派對上，黃渤把錢撒向空中，大家激動(dòng)分錢，王森卻不在?！ ⊥跎蝗唤拥诫娫挘弥奶炀谷槐惶沾T綁架，陶碩威脅王森交回畫，否則殺了夏天。王森一生中從未如此緊張失措過，他和黃渤立刻回去找藺先生，沒想到藺先生像是變了一個(gè)人，精明地可怕，要王森拿出三倍的價(jià)買回《維多女人》，黃渤提醒王森夏天還有一個(gè)小時(shí)就要被殺，王森下定決心，用自己收藏的一屋子藝術(shù)品來換這幅畫?！ r(shí)間緊迫，王森讓黃渤去家中拿藝術(shù)品，而自己先拿畫去救夏天。王森回到綁架現(xiàn)場卻一無所有，黃渤也聯(lián)系不上了，只有他手上那幅畫，這時(shí)他才發(fā)現(xiàn)，手上那幅畫，上面有自己的簽名，這是最初自己偽造的那副假畫。 王森瘋了一般，他回到家，空空蕩蕩，所有值錢的東西都被卷走 ……
NO.1
崔宇植,張慧珍,孔升延講述了每次吃媽媽做的家常飯時(shí)都能看到倒計(jì)時(shí)數(shù)字的河玟的故事。
掠殺者
利亞姆·坎寧安,寶拉雅娜·麥金托什,漢娜·斯坦布里奇,布萊恩·拉金,尼爾·格雷格·富爾頓,道格拉斯·羅素,喬納森·沃森,布萊恩·威納爾故事發(fā)生在蘇格蘭一個(gè)名叫英維思的偏遠(yuǎn)寧靜小鎮(zhèn)。夜幕愈加濃重，年輕女警官瑞秋（Pollyanna McIntosh 飾）被鬧鐘喚醒，她有條不紊穿戴整齊，隨后出門行走在空無一人的街道中央。在某個(gè)路口，瑞秋目擊不遠(yuǎn)處站著一位老人，但隨后老人被一輛飛馳而來的汽車撞到。瑞秋沖上前去，然而并未看到被撞之人，她只得將肇事者凱撒（布萊恩·沃納 Brian Vernel 飾）扭送回警局，與麥克·瑞德警長（道格拉斯·羅素 Douglas Russell 飾）一同審問。稍后凱撒被關(guān)入牢房，而警局的同事也找到了那名神秘且一言不發(fā)的受傷老人?！ ×钊穗y以置信的是，老人似乎擁有直抵他人內(nèi)心的能力，同時(shí)也讓對方暴走瘋狂，這注定是一個(gè)不平凡的夜晚……
有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽,小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國村隼新人法官高遠(yuǎn)寺圓（芳根京子飾）每日忙于庭審中的證人詢問、審閱證據(jù)與鑒定報(bào)告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負(fù)責(zé)測試性引入法院的AI系統(tǒng)“法神”。當(dāng)輸入過往審判數(shù)據(jù)后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致，判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已，唯獨(dú)圓對“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負(fù)責(zé)一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數(shù)據(jù)輸入“法神”進(jìn)行判決模擬，AI瞬間給出的判決是“死刑”。 對AI能力深感興趣的檜葉。對AI愈發(fā)警惕的圓。當(dāng)陪審員們也卷入其中時(shí)，人們再度直面探尋真相的艱難困境。究竟誰能辨明真相？是AI？是人類？還是??? 這部社會(huì)派娛樂作品直面當(dāng)下以驚人速度滲透社會(huì)的AI技術(shù)，深刻叩問使用AI的人類應(yīng)有的姿態(tài)！
草迷宮恐怖殺人事件
Joem Bascon,吉莉安·維森喬,Kristof Garcia一處廢棄草叢，發(fā)生一系列詭異的殺人魔連環(huán)殺人事件，讓警探阿邦（瓊姆芭絲康飾演）展開調(diào)查。某夜，他們遇到喬伊絲（吉蓮維琴西奧飾演）與她的一群朋友，揚(yáng)言要在這片草叢中上哀悼慘遭殺害的親友，實(shí)際上她們也是為了調(diào)查這一連串真相，而來到了這片草叢。兩邊人馬開始在草叢中搜尋，竟意外發(fā)現(xiàn)殺人魔可能并非人類，更像是神秘的超自然力量；而另一位神秘人物史蒂芬（克里斯多夫加西亞飾演），則掌握著這個(gè)超自然殺手魔的關(guān)鍵真相…。