比弗頓:約見海貍
Camp暫無內(nèi)容Beaverton:暫無內(nèi)容Meet暫無內(nèi)容the暫無內(nèi)容Beavers暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容documentary暫無內(nèi)容film暫無內(nèi)容by暫無內(nèi)容Ana暫無內(nèi)容Grillo暫無內(nèi)容and暫無內(nèi)容Beth暫無內(nèi)容Nelsen,暫無內(nèi)容aka暫無內(nèi)容Ana暫無內(nèi)容Mission暫無內(nèi)容and暫無內(nèi)容Agent暫無內(nèi)容Nelsen.暫無內(nèi)容Camp暫無內(nèi)容Beaverton暫無內(nèi)容is暫無內(nèi)容the暫無內(nèi)容Home暫無內(nèi)容for暫無內(nèi)容Wayward暫無內(nèi)容Girls,暫無內(nèi)容the暫無內(nèi)容only暫無內(nèi)容queer,暫無內(nèi)容all暫無內(nèi)容women,暫無內(nèi)容trans-inclusive,暫無內(nèi)容sex暫無內(nèi)容positive暫無內(nèi)容theme暫無內(nèi)容camp暫無內(nèi)容set暫無內(nèi)容within暫無內(nèi)容Burning暫無內(nèi)容Man,暫無內(nèi)容an暫無內(nèi)容8-day暫無內(nèi)容experimental暫無內(nèi)容art暫無內(nèi)容festival暫無內(nèi)容that暫無內(nèi)容encourages暫無內(nèi)容radical暫無內(nèi)容self暫無內(nèi)容expression暫無內(nèi)容found暫無內(nèi)容deep暫無內(nèi)容within暫無內(nèi)容the暫無內(nèi)容Nevada暫無內(nèi)容desert.暫無內(nèi)容The暫無內(nèi)容Beaver...
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弗蘭茨
伊丹·魏斯,彼得·庫爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚(yáng)·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán亞美利加納
西德尼·斯維尼,保羅·沃爾特·豪澤,扎恩·邁克拉農(nóng),埃里克·迪恩,哈里特·桑塞姆·哈里斯,西蒙·雷克斯,托比·哈斯,Derek Hinkey,海爾希,喬·阿德勒,唐納德·賽羅尼,布南儂·克羅斯,加斯珀·基恩,托尼·托斯特,亞歷克斯·奈特,Christopher Kriesa,Nancy L. Gray,布雷迪·博克斯,Megan Hensley,Austin Boyce圣誕傾情
琳賽·洛翰,考德·歐威爾斯特利特,杰克·瓦格納,吳宇衛(wèi),奧利維亞·佩雷斯,布萊斯·霍華德,阿麗·洛翰,安東尼奧·查麗蒂,Colleen Mooney,Chase Ramsey,Sean Dillingham,Alireza Mirmontazeri,Kate Rachesky,Alejandra Flores,Kylie Rohead,Cat Hammons宿命,吾愛:第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達(dá),Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc挑戰(zhàn)未來
奧利弗·古魯內(nèi)爾,Tim Thomerson胡加爾的一天
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魔法奇緣2:解除魔法
艾米·亞當(dāng)斯,帕特里克·德姆西,瑪婭·魯?shù)婪?伊迪娜·門澤爾,詹姆斯·麥斯登,加布里埃拉·巴爾達(dá)奇諾,奧斯卡·努內(nèi)斯,杰瑪·梅斯,伊薇特·尼科爾·布朗,科爾頓·斯圖爾特,詹姆斯·門羅·伊格爾哈特,安·哈拉達(dá),Naoimh Morgan,肖恩·達(dá)根,布里吉德·萊希,埃馬紐埃爾·奧克耶吉賽爾公主和羅伯特、摩根搬到了郊區(qū)的一棟新房子,被反派瑪爾維娜·夢露監(jiān)視著。隨著問題的出現(xiàn),吉賽爾許愿把他們的生活變成完美的童話,然而咒語產(chǎn)生了戲劇性的反作用,使吉賽爾不得不在午夜來臨之前爭分奪秒,以拯救她的家人和安大拉西亞王國。
陷入麻煩的女孩
Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
人面獸心2024
基特·哈靈頓,阿什莉·卡明斯,詹姆斯·科茲莫,凱奧林·斯普林加爾,亞當(dāng)·巴茲爾Check out the trailer for The Beast Within, an upcoming movie starring Kit Harington, Ashleigh Cummings, James Cosmo, and Caoilinn Springall. After a series of strange events leads her to question her family’s isolated life on a fortified compound deep in the English wilds, 10-year-old Willow follows her parents on one of their secret late-night treks to the heart of the ancient forest. But upon witnessing her father undergo a terrible transformation, she too becomes ensnared by the dark ancestral secret they’ve tried so desperately to conceal. The Beast Within is produced by Merlin Merton, Martin Owen, Ryan Hamilton, Karl Hall, Sebastian Street, Alex Chang, Jack Christian, Evan Ross, Jordan Wagner, and Ying Ye. It is written by Greer Taylor Ellison and Alexander J. Farrell. The Beast Within, directed by Alexander J. Farrell, opens in theaters nationwide on July 26, 2024.
阿爾菲1966
邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅(jiān)特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒阿爾菲(邁克爾?凱恩 Michael Caine 飾)生活在繁華的大都市倫敦,平日里最大的愛好便是出沒于燈紅酒綠的聲色犬馬之場所。阿爾菲自認(rèn)為是當(dāng)代唐璜,流連于不同女人的溫香軟玉的懷抱之中,私生活十分混亂。 無論是未經(jīng)人事的清純少女還是已有家室的成熟人妻,阿爾菲都會(huì)散發(fā)他強(qiáng)烈的男性魅力,將對方征服。就連在染病住院期間,阿爾菲都沒有放過和性感美艷的小護(hù)士共赴云雨的機(jī)會(huì)。某一日,阿爾菲邂逅了美麗的寡婦盧比(謝利?溫特斯 Shelley Winters 飾),讓前者沒有想到的是,自己的撩妹之術(shù)在盧比那里竟然全無作用。不僅如此,曾經(jīng)對他趨之若鶩的女人們也都漸漸地離開了他。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.