田野性考察

★ 6.9 播放：89萬 更新：2026-04-23
主演：金研書 周仁哲 

寡婦仁海多年來靠著火辣身材和 絕妙的挑逗技巧，在小鎮(zhèn)上受到所有男性的追捧寵愛，過著如公主般的生活。直到一名烏克蘭白皙美女的出現(xiàn)，前凸後翹的高挑身材令鎮(zhèn)上所有男人為之瘋狂，仁海才驚覺自己正面臨前所未有的強(qiáng)力挑戰(zhàn)。仁海必須使出渾身解數(shù)，將原本屬於她的男人們重新贏回來，一場烏克蘭與韓國之間波濤洶涌的性感大戰(zhàn)即將爆發(fā)！

在線播放

劇情簡介

寡婦仁海多年來靠著火辣身材和 絕妙的挑逗技巧，在小鎮(zhèn)上受到所有男性的追捧寵愛，過著如公主般的生活。直到一名烏克蘭白皙美女的出現(xiàn)，前凸後翹的高挑身材令鎮(zhèn)上所有男人為之瘋狂，仁海才驚覺自己正面臨前所未有的強(qiáng)力挑戰(zhàn)。仁海必須使出渾身解數(shù)，將原本屬於她的男人們重新贏回來，一場烏克蘭與韓國之間波濤洶涌的性感大戰(zhàn)即將爆發(fā)！

同類好片

導(dǎo)演精選

富貴逼人來

 暢斯（彼得·塞勒斯 Peter Sellers飾），一位頭腦簡單的老園丁。他一直生活在華盛頓的一間老房子里，從未離開過。他全部的生活就是看電視，看電視成了他唯一與外界溝通的途徑。在長期的累積之下，他的整個(gè)思想行為和世界觀已完全電視化。然而他的雇主突然去世，暢斯一下子變得無處可去，孤苦無依。面對陌生而又新鮮的世界，他頓時(shí)亂了方寸。在一場突如其來的車禍后，暢斯居然成為富有的華盛頓商人伊芙（雪莉·麥克雷恩 Shirley MacLaine飾）和本（茂文·道格拉斯 Melvyn Douglas飾）的座上賓。他憑借在電視上學(xué)來的“廣博”知識，技驚四座，甚至當(dāng)上了政客們倚重的智囊。本部享譽(yù)70年代末期影壇的政治諷刺喜劇《富貴逼人來》，是笑匠彼得·塞勒斯的最后遺作。本片榮獲1980年第52屆奧斯卡金像獎(jiǎng)最佳男配角并獲得最佳男主角提名，入圍1980年第33屆戛納電影節(jié)主競賽單元-金棕櫚獎(jiǎng)。

阿坎達(dá)2

一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯(lián)系，因?yàn)樯鐓^(qū)正在努力取得進(jìn)步。                                                                      　　?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster