尼克賭場
2011.暫無內(nèi)容Genoa.暫無內(nèi)容G8.暫無內(nèi)容Cosimo,暫無內(nèi)容an暫無內(nèi)容Italian暫無內(nèi)容boy,暫無內(nèi)容helps暫無內(nèi)容Nicole,暫無內(nèi)容French.暫無內(nèi)容Alook:暫無內(nèi)容it暫無內(nèi)容is暫無內(nèi)容love.暫無內(nèi)容Then暫無內(nèi)容the暫無內(nèi)容two暫無內(nèi)容boys暫無內(nèi)容return暫無內(nèi)容to暫無內(nèi)容Genoa;暫無內(nèi)容here暫無內(nèi)容they暫無內(nèi)容work暫無內(nèi)容for暫無內(nèi)容afriend,暫無內(nèi)容Paul,暫無內(nèi)容concert暫無內(nèi)容organizer.暫無內(nèi)容This暫無內(nèi)容goes暫無內(nèi)容on暫無內(nèi)容until暫無內(nèi)容Alioune,暫無內(nèi)容a暫無內(nèi)容youngillegal暫無內(nèi)容immigrant,暫無內(nèi)容falls暫無內(nèi)容from暫無內(nèi)容a暫無內(nèi)容scaffold,暫無內(nèi)容working暫無內(nèi)容for暫無內(nèi)容a暫無內(nèi)容stage暫無內(nèi)容withCosimo.暫無內(nèi)容The暫無內(nèi)容boy暫無內(nèi)容remains暫無內(nèi)容there,暫無內(nèi)容abandoned暫無內(nèi)容by暫無內(nèi)容Paul,暫無內(nèi)容Cosmas暫無內(nèi)容and暫無內(nèi)容Nicole.
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納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
深入陰宅
辛政順,尹伊娜,申素媛在京畿道有一所廢棄的住宅，此前曾屬于一名金姓老板，他所經(jīng)營的食品工廠蒸蒸日上，然而他因外遇而和妻子關(guān)系日漸惡劣。某天，金老板一家五口被人殘忍殺害，與之有染的女員工也下落不明。附近百姓傳說女員工早被殺死，她的怨靈屠殺了金老板一家，金老板的住宅也成了當(dāng)?shù)刂墓碚?。 ?010年的一天，電視臺《廢家探訪》劇組慕名前來，但是包括制作人李永珠、導(dǎo)演崔圭石、錄音記者程智英、廢家探訪隊員任萬首、萬美真、崔雨嵐一行六人最終神秘失蹤。6月的一天，攝制組的錄像帶素材重現(xiàn)天日，經(jīng)過一番修復(fù)，攝制組成員們最后那段恐怖的經(jīng)歷得以展現(xiàn)世人面前……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
血腥老虎：沖突開始
魯格曼·哈菲茲,本·阿米爾,阿馬爾·阿爾菲安警官哈金臥底潛入紅虎幫，并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行，還必須直面這些殘暴的罪犯。然而，他遭遇背叛，陷入道德困境，在不為人知的情況下為維護(hù)正義而戰(zhàn)，他的忠誠度也受到了考驗。
昭和殘俠傳：唐獅子仁義
高倉健,藤純子,池部良,待田京介,小林千枝,志村喬風(fēng)間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風(fēng)間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster