人生邊緣
三個(gè)生活在墨西哥城的室友面對(duì)著未來(lái)的許多不確定的問(wèn)題：Luc iacute;a 有著一份作為電視商業(yè)廣告藝術(shù)指導(dǎo)的不錯(cuò)的工作，但卻有嗜酒和吸食可卡因的惡習(xí)。這令她可能失去她的工作甚至入獄，同時(shí)她也不幸地愛(ài)上一個(gè)對(duì)她不忠的斗牛士。Carmen，一個(gè)沒(méi)有收入而有些瘋狂的藝術(shù)家，卻愛(ài)著一個(gè)有易裝癖的男同性戀，她的未來(lái)將會(huì)如何？Hanna 在考慮與富有的受盡家庭溺愛(ài)的 Abraham 離婚，同時(shí)也因?yàn)樽约簩?duì)她的珠寶店的一位顧客 Sandra 的感情而非常迷茫。這三個(gè)可憐的富家女能否解決這些生活的糾纏呢？
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劇情簡(jiǎn)介
三個(gè)生活在墨西哥城的室友面對(duì)著未來(lái)的許多不確定的問(wèn)題：Luc iacute;a 有著一份作為電視商業(yè)廣告藝術(shù)指導(dǎo)的不錯(cuò)的工作，但卻有嗜酒和吸食可卡因的惡習(xí)。這令她可能失去她的工作甚至入獄，同時(shí)她也不幸地愛(ài)上一個(gè)對(duì)她不忠的斗牛士。Carmen，一個(gè)沒(méi)有收入而有些瘋狂的藝術(shù)家，卻愛(ài)著一個(gè)有易裝癖的男同性戀，她的未來(lái)將會(huì)如何？Hanna 在考慮與富有的受盡家庭溺愛(ài)的 Abraham 離婚，同時(shí)也因?yàn)樽约簩?duì)她的珠寶店的一位顧客 Sandra 的感情而非常迷茫。這三個(gè)可憐的富家女能否解決這些生活的糾纏呢？
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與祖國(guó)同在
諾埃爾·考沃德,約翰·米爾斯,伯納德·邁爾斯,西莉亞·約翰遜,凱·沃爾什,喬伊絲·凱里,德里克·艾爾菲斯通,邁克·懷爾登,Robert Sansom,菲利普·佛倫德,Chimmo Branson,巴拉德伯克利,Hubert Gregg,詹姆斯·唐納德,邁克爾·惠特克,Kenneth Carten,約翰·瓦利,Caven Watson,杰弗里·希伯特,弗雷德里克·派珀,萊斯利·德懷爾,John Singer,John Boxer,約翰尼·斯科菲爾德,沃爾特·菲茨杰拉德,杰拉爾德·凱斯,丹尼爾·梅西,Ann復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita大明嬪妃之攻心
宋洋,何杜娟,關(guān)慧卿,陳一諾情感價(jià)值
雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol機(jī)器生活
艾狄森·蒂姆林,詹姆斯·達(dá)西,史蒂文·斯崔特,德魯·凡·阿克爾,馬克·法姆吉列蒂,里?！ね邆惗?埃朗·米歇爾·蒙漢,希拉里·巴拉福德,尼古拉斯·巴迪亂馬12：決戰(zhàn)桃源鄉(xiāng)！奪回新娘子??！
山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關(guān)俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮導(dǎo)演精選
豬扒大聯(lián)盟
電話公司里有四位全棟大廈聞名的“豬扒”：患罕見(jiàn)脫發(fā)癥導(dǎo)致頭發(fā)稀疏的阿Mo（李嘉欣 飾）、荷爾蒙過(guò)剩的保安主管蘇眉（莫文蔚 飾）、臉上有大塊惡心胎記的計(jì)算機(jī)部員工“態(tài)貓”（林熙蕾 飾）、哨牙蒙眼的秘書(shū)阿刨（關(guān)秀媚 飾）。四個(gè)“豬扒”在公司雖然工作努力，但因樣子問(wèn)題經(jīng)常遭到宣傳部主管“妖姬”嘲笑和排擠，四人敢怒不敢言，直到一天公司因經(jīng)濟(jì)不景氣四人同時(shí)遭到了解雇。公司設(shè)計(jì)師春春（陳小春 飾）可憐四人的遭遇，與細(xì)龜和阿倫想出了一條別出心裁的妙計(jì)，幫助四人籌款整容。春春的妙計(jì)能否湊效，四位“豬扒”又能否咸魚(yú)翻身？
盛夏假期遇見(jiàn)愛(ài)
波比（艾米麗·巴德 Emily Bader 飾）自由奔放，亞歷克斯（湯姆·布萊斯 Tom Blyth 飾）循規(guī)蹈矩，這對(duì)好友看似格格不入，前后相識(shí)已有十年之久。盡管分隔兩地，每年暑假仍會(huì)一起度過(guò)。旁人都看得出來(lái)他們的友情不一般，而當(dāng)兩人終于開(kāi)始思索彼此或許更適合成為情人時(shí)，愛(ài)情與友情之間那條微妙的界線也逐漸受到考驗(yàn)。他們真有可能是天作之合嗎？ 影片根據(jù)艾米莉·亨利的同名暢銷(xiāo)書(shū)改編。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.