家庭性生活年鑒

評分：8.8 播放：64萬 更新：2026-05-03

作為模范父母，43歲的埃爾韋Herv eacute;（斯特凡 middot;埃爾索昂飾）和41歲的克萊爾（瓦萊麗 middot;馬埃斯飾）致力于3個孩子22歲的瑪麗Marie（勒伊拉 middot;德尼奧飾）、21歲的皮埃爾Pierre（納唐 middot;杜瓦爾飾）和18歲的羅曼Romain（馬蒂亞斯 middot;梅盧爾飾）的全面能力教育。這個現(xiàn)代化的中產(chǎn)階級家庭還生活著孩子們的老爺爺米歇爾Michel（揚 middot;布里昂飾）。 沉默的早餐氣氛沉重，舉家同聚的時候尤其是晚餐，性是一個禁忌的話題，只能談論與性無關的所有話題。 但是，這種局面還是被扣留在校的羅曼打破了?？巳R爾被小兒子羅曼的校長（菲利普 middot;迪凱納飾）;請 rdquo;到了學校，接受訓導。羅曼是個處男，心儀風塵女子科拉莉Coralie（阿德琳娜 middot;勒貝亞爾飾），竟然亢奮得在生物課時用手機拍攝自己的自我解決過程。羅曼解釋為這是;學校里男孩女孩成長游戲 rdquo;的一次挑戰(zhàn)，未料;為了好玩 rdquo;卻愚蠢到被逮個正著。 這一事件讓克萊爾毅然正視家庭通常從不談論的性教育，她決定了解更多關于青少年性行為的實質(zhì)性問題。自此，克萊爾開始與家人們健康、寬容和幽默地逐一交談，鼓勵他們?nèi)ヌ剿髯约旱挠透杂筛_地對話，使之履行一個艱巨的任務交流總結當年各自的親密生活。 隨著鏡頭，我們可以看到這個家庭的性生活的各個側面 羅曼的父母克萊爾和埃爾韋盡管加強了提高情趣所力所能及的一切小動作，但不是克萊爾陰冷就是埃爾韋不舉，性生活仍舊不和諧； 羅曼的爺爺米歇爾在思念多年的不倫戀春樓情人娜塔莉Nathalie（莉蒂希婭 middot;法瓦爾飾）身上重新找回了溫暖和自我，并于后來將她引入家庭； 羅曼的姐姐瑪麗為了釋放自己的高潮，不惜將私處紋上蝎子圖案，終于和穿釘紋身族的酒保男友塞德里克C eacute;dric（格雷戈里 middot;阿諾尼飾）嘗到了從未有過的酣暢之歡； 羅曼的哥哥性取向多樣，對象或男或女還有他自己，而他經(jīng)過探求，最終選擇的是同志之路。 至于羅曼自己，他成功地與科拉莉約會，并在爺爺72歲的生日那天，與她有了第一次性體驗，到后來彼此交替用DV拍下了兩人愛愛的整個過程，實現(xiàn)了他特寫他們牝牡交合的;挑戰(zhàn) rdquo;突破和愿望。 　　

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.