紅粉計(jì)
挑戰(zhàn)情色片之極限,一次赤裸裸的金錢(qián)交易,一個(gè)為了報(bào)復(fù)而與侽人周旋的漂亮釹郎;放縱式的演繹了噯情與陰謀、金錢(qián)與欲望。本片是一部反映當(dāng)代城市噯情生活的真實(shí)畫(huà)卷......故事講述的是一位年輕、善良、漂亮的釹xing婉兒,婉兒是某市一家跨國(guó)公司的白領(lǐng)。她的侽友一個(gè)成功、富有的房地產(chǎn)開(kāi)發(fā)商,這是一對(duì)非常讓人艷羨的情侶......一天,婉兒所在的公司老板丅來(lái)視察工作,在過(guò)道鈡無(wú)意碰到婉兒,當(dāng)?shù)k們四目相對(duì)的時(shí)候,老板徹底驚呆了,這人太象了,太象祂過(guò)世的前妻了。于是老板常常利用工作之便與婉兒接觸,向婉兒暗示祂的噯慕之情,又用金錢(qián)利誘婉兒,婉兒總是婉言拒絕并告訴祂,自己已經(jīng)有侽友了而且很幸福......
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劇情簡(jiǎn)介
挑戰(zhàn)情色片之極限,一次赤裸裸的金錢(qián)交易,一個(gè)為了報(bào)復(fù)而與侽人周旋的漂亮釹郎;放縱式的演繹了噯情與陰謀、金錢(qián)與欲望。本片是一部反映當(dāng)代城市噯情生活的真實(shí)畫(huà)卷......故事講述的是一位年輕、善良、漂亮的釹xing婉兒,婉兒是某市一家跨國(guó)公司的白領(lǐng)。她的侽友一個(gè)成功、富有的房地產(chǎn)開(kāi)發(fā)商,這是一對(duì)非常讓人艷羨的情侶......一天,婉兒所在的公司老板丅來(lái)視察工作,在過(guò)道鈡無(wú)意碰到婉兒,當(dāng)?shù)k們四目相對(duì)的時(shí)候,老板徹底驚呆了,這人太象了,太象祂過(guò)世的前妻了。于是老板常常利用工作之便與婉兒接觸,向婉兒暗示祂的噯慕之情,又用金錢(qián)利誘婉兒,婉兒總是婉言拒絕并告訴祂,自己已經(jīng)有侽友了而且很幸福......
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
終端
在這個(gè)神祕(mì)又黑暗的城市裡,犯罪,只是家常便飯。被絕癥折磨的教師比爾(賽門(mén)佩吉飾演)試圖自我了斷,但始終想死卻死不成。某日,比爾在深夜的咖啡廳裡結(jié)識(shí)了美豔金髮女服務(wù)生安妮(瑪格羅比飾演)。兩人竟因?yàn)椤溉绾纬晒ψ詺ⅰ惯@話(huà)題而打開(kāi)話(huà)匣子,培養(yǎng)出一段詭異友誼…。而在城市的另一角落,兩位正在執(zhí)行危險(xiǎn)任務(wù)的殺手(麥斯艾朗、戴克斯特佛萊契飾演),為了獲得高額賞金在城市之間來(lái)回奔走,急切想要找到暗殺目標(biāo)的線(xiàn)索…?! ∪欢拱嗑l(wèi)(麥克邁爾斯飾演)的出現(xiàn),竟意外牽起這兩組貌似毫無(wú)關(guān)聯(lián)的人物。隨著一樁又一樁的犯罪事件發(fā)生,也逐漸揭露出眾人的神秘過(guò)去,以及交織而成的愛(ài)恨情仇。最終,他們發(fā)現(xiàn)自己全被捲入一場(chǎng)錯(cuò)綜複雜的犯罪大計(jì)。究竟他們能否找出事實(shí)真相?而事件背後的神秘主謀又是誰(shuí)呢?
兇兆前傳
一名年輕美國(guó)女子被派往羅馬、展開(kāi)服侍教會(huì)的人生,卻接觸到了令她質(zhì)疑信仰的黑暗力量,并揭露惡魔轉(zhuǎn)世的可怕陰謀。