愛尋迷
賢、樂(徐天佑 飾)、星(關楚耀 飾)自小學時已是莫逆之交,但因賢少時移民外地,三人已多年未曾重聚。二十年后,三位小學好友 在Facebook找到對方后重聚。見面后發(fā)現(xiàn)性格各異的三人經(jīng)歷亦各異。李國賢為金融界才俊,不能自制地愛上寂寞之政界候選人之妻。阿樂是一個窮講師,自出生未曾見過自己之親父,常年酗酒之病母過世,始積極追尋父親下落,其間與一大陸女留學生愛上,女生替他找尋父親。阿星家貧,是一位髮型師,憑一門剪髮技藝,結識了一名離婚富太,他常想出人頭地,但受出身所限。見面后,三人各有特別之經(jīng)歷,改變了他們的一生。電影以三對男女不尋常的情欲關系,折射今日香港社會的壓迫和焦慮,集奇情與現(xiàn)實于一爐,探討人生的痛苦來源,為香港電影全新之嘗試。
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劇情提要
賢、樂(徐天佑 飾)、星(關楚耀 飾)自小學時已是莫逆之交,但因賢少時移民外地,三人已多年未曾重聚。二十年后,三位小學好友 在Facebook找到對方后重聚。見面后發(fā)現(xiàn)性格各異的三人經(jīng)歷亦各異。李國賢為金融界才俊,不能自制地愛上寂寞之政界候選人之妻。阿樂是一個窮講師,自出生未曾見過自己之親父,常年酗酒之病母過世,始積極追尋父親下落,其間與一大陸女留學生愛上,女生替他找尋父親。阿星家貧,是一位髮型師,憑一門剪髮技藝,結識了一名離婚富太,他常想出人頭地,但受出身所限。見面后,三人各有特別之經(jīng)歷,改變了他們的一生。電影以三對男女不尋常的情欲關系,折射今日香港社會的壓迫和焦慮,集奇情與現(xiàn)實于一爐,探討人生的痛苦來源,為香港電影全新之嘗試。
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青出于藍2025
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最后命令
一個臨時演員被召去在一部關于俄國革命的電影中扮演一名將軍,然而,他并不是一位普通的臨時演員,他就是謝爾蓋·亞歷山大,尼古拉斯沙皇時期的一位前將軍。他在1917年共產(chǎn)主義革命后從俄國軍隊里逃到了好萊塢?,F(xiàn)在,為了使電影的導演,一個也曾參加過俄國革命的人滿意,他被迫要去重新 經(jīng)歷那一段曾帶給他無窮苦痛的生活。這一次,這個倒霉的將軍有機會去“贏得”那曾經(jīng)一敗涂地的戰(zhàn)役。電影閃回到亞歷山大在俄戰(zhàn)中的艱難生活。他感到無論他怎樣努力,似乎都無法阻止歷史的車輪滾滾向前。但是有一個女孩理解他,因為他的強烈的愛國精神和正派的行為,這個女孩愛上了他……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.