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一個叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯不是鬧著玩的
李易祥,于根藝,曹隨風,田華無限密室
克里斯托弗·索倫·凱利,卡桑德拉·克拉克,卡賈爾多·林賽,杰西·D·阿羅鐵血戰(zhàn)士:荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼?;?雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村同類推薦
奸人本色
董驃,許冠英劉父半生積蓄被奸商所騙,更在法庭敗訴,郁郁而終,死前托女兒小云找奸人家族報仇。奸人家族一早不值奸商所為,設下以奸治奸的圈套,不料簡仁與簡貴為爭小云歡心,被奸商利用……
瘋狂特警隊
丹尼·伯恩,愛麗絲·波爾,米歇爾·布朗,伊萬·阿達勒,薩賓·阿澤瑪,帕特里克·米勒,弗朗西斯·利范德,安·瑪麗文,弗洛亨特·皮耶,阿蘭·杜泰,于爾班·康塞利埃,弗朗索瓦·溫琴泰利特警隊教官歐仁近來諸事不順,而偏偏警隊又突然空降了一個培訓生喬漢娜,這個一心想成為法國特警隊第一位女警官的培訓生就像一顆定時炸彈,她給特警隊惹了千奇百怪、層出不窮的麻煩,但每次都歪打正著,和隊友一起出色完成各類高難度任務……
樓上的人們
河正宇,李荷妮,孔曉振,金東旭講述因為樓層噪音相遇的兩對夫妻一起吃晚飯發(fā)生的故事。
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內(nèi)川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調(diào)查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發(fā)現(xiàn)了四人租用的汽車,而在現(xiàn)場發(fā)現(xiàn)的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人,以及在新月之夜發(fā)病的成年人......這個村子里究竟發(fā)生了什么?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.