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恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·?？寺?賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo一對年輕夫婦在高速公路上行駛，似乎無法離開公路，因?yàn)橛腥似髨D讓他們繼續(xù)上路。
七月返歸
白靈,太保,譚玉瑛,伍詠詩,周祉君,沈殷怡,黃梓樂內(nèi)詳暫無簡介
尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰(zhàn) , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標(biāo) , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照來自21世紀(jì)的項(xiàng)少龍（古天樂 飾）曾意外穿越，并助秦王（林峯 飾）一統(tǒng)天下，這段跨越時空的宿命糾纏將兩人緊緊捆綁，兩人也成為亦師亦友的情感羈絆。然而，在項(xiàng)少龍歸隱田園多年后，未知穿越者卻驟然降臨，大國基業(yè)陷入傾覆危機(jī)，秦王不得不求助于早已不問世事的項(xiàng)少龍。面對足以顛覆歷史的強(qiáng)敵，他們能否放下芥蒂聯(lián)手抗敵？那段摻雜著師徒之恩、君臣之畏與知遇之情的情感，又將成為保護(hù)彼此的鎧甲，還是刺向?qū)Ψ降睦校?
惡戰(zhàn)2025
Alfredo Cleto Batista,Carl Bruchh?user,Holger Ebert活到最後才有繼承權(quán)資格…背叛、猜疑和貪婪交織！一場災(zāi)難性的運(yùn)鈔行動後，三噸貨物運(yùn)抵目的地，但所有現(xiàn)金卻不翼而飛，幫派內(nèi)部一片混亂。老大身亡，死於內(nèi)部背叛和謀殺，幫派的得力幹將克萊奧挺身而出，誓要揭開真相，隨著真相逐漸浮出水面，一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網(wǎng)也隨之浮現(xiàn)。
頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison9名年輕人醒來后，腦袋上插著攝像頭，他們是一場密室逃脫游戲的參與者，為了生存，必須相互殺戮，直到最后一人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.