即刻觀影
劇情賞析
編輯推薦
冰風(fēng)暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼1973年美國康涅狄格州，感恩節(jié)快要到來，一場冰風(fēng)暴也即將到來。平凡乏味的家庭生活使中年夫妻厭倦，丈夫本?胡德（凱文?克萊恩飾）一直在引誘鄰居珍妮特?哈珀，而妻子（瓊?艾倫飾）對丈夫的謊言也早已不耐煩了。兒子保羅（托比?馬奎爾飾）迷戀著學(xué)校里最有人緣的那位女生。女兒溫迪（克里斯蒂娜?里奇）興趣于電視里的水門事件聽證會。 冰風(fēng)暴的夜晚，夫妻兩個去朋友家參加一個雞尾酒會，雞尾酒會的一個重要內(nèi)容是進行換房間鑰匙的游戲。在酒會結(jié)束后，每個妻子都可以和別家男人結(jié)成新歡。而他們兒子則趕去面對一場誘惑與考驗，女兒正陶醉在同鄰家男孩子的性游戲中……
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝記者玲（李心潔飾）的男友Peter獲得一宗刑事案件的新聞線報，前去取證途中突然遭遇交通事故意外身亡。玲覺得事有蹊蹺，調(diào)查后發(fā)現(xiàn)一宗模特命案。女模特Helen裸死于家中浴缸，富豪之子張承志沒有不在場證據(jù)，但事件竟被警方低調(diào)處理，張承志的相關(guān)證據(jù)也被消除。玲為不愿男友枉死，誓要調(diào)查出事件真相，但報社總編輯曾達時（梁家輝飾）卻不愿為玲伸出援手。無奈之下，玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調(diào)查真相。飛原來是警察出身，在調(diào)查中，他發(fā)現(xiàn)Peter的死因確有蹊蹺。隨著調(diào)查的進行，黑暗中的黑手不斷想將玲置于死地，究竟事件的真相能否登上報紙的A1頭條？真相與言論自由的賽跑，在香港的午夜開始。
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
蓋世神功
林雪,鐘一憲,張全蛋,林盛斌,金剛,羅家英,詹瑞文,陳啟泰,劉亭希,林敏驄,李尚正,莊鍶敏,鄭恕峰,羅莽,郭政鴻,李昊祖70年代，洪英真出?在H國華?街的武林世家“洪刀門”，因成?過程?事?成被眾?戲稱為“廢柴”。 ?次機會，洪英真偶遇?同學(xué)包掂并認(rèn)識了“忠孝堂”豹哥，卷??場陰謀當(dāng)中。?武林??“?塵”?早看穿洪英真是潛在練武奇才，于是打通其筋脈。 洪英真迫聽?塵的建議躲到和平村。在和平村?，洪英真陰差陽錯惹上惡霸林?爺。萬萬沒想到林?爺?shù)??竟然是豹哥，于是洪英真與豹哥的恩怨?再次拉開……
邪惡護士2
蒼井空,Ricky Harun,Zidni Adam寂靜深夜，Selly（Violenzia Jeanette 飾）、Jack（Ricky Harun 飾）、Tando（Zidni Adam 飾）三名喜好刺激的青年男女駕駛機車飛馳在公路上，突然之間，Selly的機車失控，她摔倒在地，身受重傷，昏迷不醒，Jack、Tando連忙將其送往醫(yī)院。與此同時，來自日本的女孩幸子（蒼井空 飾）正準(zhǔn)備和當(dāng)?shù)氐膶?dǎo)游外出游玩，誰知卻不小心用車門夾上導(dǎo)游的手，語言本就不同的二人也慌慌張張前往醫(yī)院。不久之后，兩組人馬在這間有些陰森的醫(yī)院內(nèi)會合，隱隱約約中，一個留著長發(fā)卻看不清面容的女人不時逡巡在幸子等人的周圍?！ τ谶@幾個有些倒霉的青年來說，恐怖而又爆笑的夜晚正慢慢拉開序幕……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster