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★ 0.7 播放：45萬 更新：2026-04-27

1，費拿拉小鎮(zhèn)，工程師斯瓦諾（Kim暫無內容Rossi暫無內容Stuart暫無內容飾）邂逅了女教師卡門（Inés暫無內容Sastre暫無內容飾），他們一見鐘情，卡門卻拒絕了斯瓦諾的吻。當他們三年后再次相遇時，斯瓦諾則在肉欲面前止步；

在線播放

劇情簡介

1，費拿拉小鎮(zhèn)，工程師斯瓦諾（Kim暫無內容Rossi暫無內容Stuart暫無內容飾）邂逅了女教師卡門（Inés暫無內容Sastre暫無內容飾），他們一見鐘情，卡門卻拒絕了斯瓦諾的吻。當他們三年后再次相遇時，斯瓦諾則在肉欲面前止步；

導演精選

萬物生靈：2025圣誕特別集

　　Channel 5和PBS Masterpiece宣布一次性續(xù)訂《萬物生靈》第五季、第六季，均由6集和圣誕特別集組成。

妖星哥拉斯

　　不明妖星哥拉斯在茫茫宇宙中不斷前進，沿途吸附大量的星際飛行物，不斷的變龐大，日本的觀測宇宙船隼號，為了探明其質量大小，不幸被一起吸附，但是其在最后關頭向地球發(fā)出了其質量數(shù)據(jù)，使地球上的人對其有了個初步認識，后經科學家計算測定，其質量為地球的６１００倍，而且將在４５天后與地球相撞?！　樽柚沟厍蚺c哥拉斯的相撞，科學家想出了一個大膽的辦法，就是運用水素離子裝置在南極造一個噴射基地（類似與火箭發(fā)射器），讓地球動起來，在哥拉斯到來之前，使地球移動到其他軌道．等哥拉斯安全通過后，然后在北極在建個基地，使地球在回到原來的預定軌道?！　∮媱潓嵤┑姆浅ｍ樌?，全世界各國在國聯(lián)的帶領下在南極建立了基地，但是由于在南極建造基地，在火焰發(fā)生器的作用下讓長眠在南極的海象怪獸蘇醒了，并破壞了一部份基地，后來，在飛機導彈的攻擊下，怪獸死了，但由于怪獸的破壞，火箭發(fā)生器推遲了時間，到底地球能不能脫離哥拉斯的吞噬呢？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.