紅杏初戀
Charles暫無(wú)內(nèi)容is暫無(wú)內(nèi)容wealthy,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容French暫無(wú)內(nèi)容venture暫無(wú)內(nèi)容capitalist暫無(wú)內(nèi)容in暫無(wú)內(nèi)容the暫無(wú)內(nèi)容1830s;暫無(wú)內(nèi)容he's暫無(wú)內(nèi)容also暫無(wú)內(nèi)容an暫無(wú)內(nèi)容aristocratic暫無(wú)內(nèi)容assassin,暫無(wú)內(nèi)容prompting暫無(wú)內(nèi)容duels暫無(wú)內(nèi)容for暫無(wú)內(nèi)容political,暫無(wú)內(nèi)容monetary,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容gain.暫無(wú)內(nèi)容At暫無(wú)內(nèi)容his暫無(wú)內(nèi)容aunt's,暫無(wú)內(nèi)容he暫無(wú)內(nèi)容meets暫無(wú)內(nèi)容Madame暫無(wú)內(nèi)容Mathilde暫無(wú)內(nèi)容LeRoi,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容virtuous暫無(wú)內(nèi)容and暫無(wú)內(nèi)容beautiful暫無(wú)內(nèi)容woman,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容he暫無(wú)內(nèi)容determines暫無(wú)內(nèi)容to暫無(wú)內(nèi)容seduce暫無(wú)內(nèi)容her.暫無(wú)內(nèi)容Along暫無(wú)內(nèi)容the暫無(wú)內(nèi)容way,暫無(wú)內(nèi)容his暫無(wú)內(nèi)容lust暫無(wú)內(nèi)容and暫無(wú)內(nèi)容game暫無(wú)內(nèi)容playing暫無(wú)內(nèi)容give暫無(wú)內(nèi)容way暫無(wú)內(nèi)容to暫無(wú)內(nèi)容love.暫無(wú)內(nèi)容One暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容partners暫無(wú)內(nèi)容in暫無(wú)內(nèi)容crime暫無(wú)內(nèi)容and暫無(wú)內(nèi)容seduction,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容decaden...
在線觀看
劇情提要
Charles暫無(wú)內(nèi)容is暫無(wú)內(nèi)容wealthy,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容French暫無(wú)內(nèi)容venture暫無(wú)內(nèi)容capitalist暫無(wú)內(nèi)容in暫無(wú)內(nèi)容the暫無(wú)內(nèi)容1830s;暫無(wú)內(nèi)容he's暫無(wú)內(nèi)容also暫無(wú)內(nèi)容an暫無(wú)內(nèi)容aristocratic暫無(wú)內(nèi)容assassin,暫無(wú)內(nèi)容prompting暫無(wú)內(nèi)容duels暫無(wú)內(nèi)容for暫無(wú)內(nèi)容political,暫無(wú)內(nèi)容monetary,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容gain.暫無(wú)內(nèi)容At暫無(wú)內(nèi)容his暫無(wú)內(nèi)容aunt's,暫無(wú)內(nèi)容he暫無(wú)內(nèi)容meets暫無(wú)內(nèi)容Madame暫無(wú)內(nèi)容Mathilde暫無(wú)內(nèi)容LeRoi,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容virtuous暫無(wú)內(nèi)容and暫無(wú)內(nèi)容beautiful暫無(wú)內(nèi)容woman,暫無(wú)內(nèi)容and暫無(wú)內(nèi)容he暫無(wú)內(nèi)容determines暫無(wú)內(nèi)容to暫無(wú)內(nèi)容seduce暫無(wú)內(nèi)容her.暫無(wú)內(nèi)容Along暫無(wú)內(nèi)容the暫無(wú)內(nèi)容way,暫無(wú)內(nèi)容his暫無(wú)內(nèi)容lust暫無(wú)內(nèi)容and暫無(wú)內(nèi)容game暫無(wú)內(nèi)容playing暫無(wú)內(nèi)容give暫無(wú)內(nèi)容way暫無(wú)內(nèi)容to暫無(wú)內(nèi)容love.暫無(wú)內(nèi)容One暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容partners暫無(wú)內(nèi)容in暫無(wú)內(nèi)容crime暫無(wú)內(nèi)容and暫無(wú)內(nèi)容seduction,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容decaden...
暗夜精選
加美拉對(duì)深海怪獸吉古拉
坂上也寸志,グロリア?ゾーナ,坪內(nèi)ミキ子,藤山浩二,佐伯勇,笠原玲子,吉田義夫,八並映子,アーリン?ゾーナ,夏木章,三夏伸,九段吾郎,井上大吾,喜多大八,中原健寵物墳場(chǎng)2(2023)
杰克遜·懷特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托馬斯,杰克·馬赫恩,大衛(wèi)·杜楚尼,薩曼莎·瑪西絲,帕姆·格里爾,克里斯蒂安· 杰達(dá),Steve Love,卡爾·格拉戈薩斯,文森特·萊克萊爾,Glen Gould,馬特·霍蘭德,泰德·惠托爾,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑魚刺2025
黃婧儀,柴燁,陳佳寧,黃渲文,王一楠,陳創(chuàng),王宏偉紐倫堡
羅素·克勞,拉米·馬雷克,利奧·伍德爾,邁克爾·珊農(nóng),理查德·E·格蘭特,科林·漢克斯,約翰·斯拉特里,瑞安·施密特,洛特·弗貝克,馬克·奧布萊恩,安德烈亞斯·皮特斯柯曼,史蒂文·佩西,莉迪亞·佩克漢,丹·凱德,羅德里克·希爾,保羅·安東尼·巴伯,唐納德·薩基·馬凱,沃爾夫?qū)と麪柲?杰瑞米·惠勒,菲利普·雅克那個(gè)孩子是誰(shuí)?
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司最佳拍檔4:千里救差婆
許冠杰,麥嘉,張艾嘉,葉倩文,王嘉明,石堅(jiān),關(guān)德興,曹達(dá)華,喬宏同系列推薦
專撬墻腳
石天,曾志偉,黃百鳴,劉瑞琪熊貓計(jì)劃之部落奇遇記
成龍,馬麗,喬杉,于洋,王影璐,張子棟,王成思,柯達(dá),宋木子,馮滿,王星,潘斌龍,于榮光,胡笑源超級(jí)倉(cāng)鼠3:松鼠奇謀
超能計(jì)劃
杰米·??怂?約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬(wàn)斯,艾米·蘭德克,機(jī)關(guān)槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達(dá)索猩瘋血雨
約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪禁止進(jìn)入
幕后花絮
離婚怨曲
The film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.