天堂:希望

★ 2.5 播放:76萬 更新:2026-04-22

天堂三部曲之希望。主角是《天堂:愛》中的女主角特瑞莎的女兒。這個13歲的女孩肥肥胖又無禮。當她的媽媽前往肯尼亞度假的時候,她參加了一個奧地利的減肥夏令營。在這個夏令營里,她愛上了夏令營的負責人。這個男人比她大了整整40歲,關于他,我們只知道他是一個醫(yī)生。因為今后不可能在一起,醫(yī)生拒絕了這個小女生的示愛

在線播放

劇情簡介

天堂三部曲之希望。主角是《天堂:愛》中的女主角特瑞莎的女兒。這個13歲的女孩肥肥胖又無禮。當她的媽媽前往肯尼亞度假的時候,她參加了一個奧地利的減肥夏令營。在這個夏令營里,她愛上了夏令營的負責人。這個男人比她大了整整40歲,關于他,我們只知道他是一個醫(yī)生。因為今后不可能在一起,醫(yī)生拒絕了這個小女生的示愛

導演精選

異羽之鳥

馬諾哈拉·K在13歲時就憑借在影片《鐵路少年》中的出色表演榮獲印度國家電影獎最佳兒童演員獎。如今,二十出頭的馬諾哈拉初執(zhí)導筒,將女作家索尼婭·S的獲獎自傳小說搬上銀幕,講述了一個白化病女孩的成長之路。片中,來自貧困家庭的索尼婭因為白化病在學校受到歧視和敵意,父親置若罔聞、母親有心但無力,她只能依靠自己。導演并沒有向索尼婭投去同情目光,而是帶著一定距離感去呈現她的處境,成功塑造了一個勇敢、樂天的女孩如何接納自己并讓白化病這個“缺點”成為特點。

利欲兩心

  一次偶然中,布蘭登(馬修·麥康納 Matthew McConaughey 飾)發(fā)現自己竟然擁有一項如此神奇的特異功能——他能夠準確預測出每周末舉行的橄欖球比賽的結果。這一能力徹底扭轉了布蘭登失意而又頹廢的生活,同時也將他卷入了金錢和利益所構造的漩渦之中?! ∥痔兀ò枴づ廖髦Z Al Pacino 飾)經營著一家體育顧問公司,布蘭登的神奇能力在他的眼中無異于是一根點石成金的魔杖。野心勃勃的他找到了布蘭登,千方百計的說服了后者加入了他的公司。從此,沃特的事業(yè)扶搖直上,布蘭登也在沃特的身上找到了親情和友情。但隨著布蘭登的能力的逐漸流逝,他和沃特之間的關系也開始了動搖。兩人心中都有各自的想法,而最終的贏家只有一個。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster