羅馬帝國艷情史 Caligula

★ 7.2 播放：65萬 更新：2026-05-01

公元37年，顯赫一時(shí)的羅馬帝國開始進(jìn)入最為淫靡黑暗的時(shí)期。77歲的老皇帝提比略（Peter O'Toole 飾）殘暴昏聵，陰森惡毒，而他的繼任者卡里古拉（Malcolm McDowell 飾）則有過之而無不及?？ɡ锕爬翘岜嚷缘酿B(yǎng)孫，他長期與妹妹朱西拉（Teresa A nn Savoy 飾）私通，在位期間以殘酷的手段殺害百姓和大臣，并因此取樂。為了鞏固政權(quán)，他更殺害自己的弟弟以及曾幫助他謀取皇位的衛(wèi)隊(duì)長馬克（Guido Mannari 飾）。他愛誰？恨誰？似乎永不明了，只有無盡的欲望與探念將那人性不斷吞噬，連同生命消亡殆盡……

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劇情簡介

公元37年，顯赫一時(shí)的羅馬帝國開始進(jìn)入最為淫靡黑暗的時(shí)期。77歲的老皇帝提比略（Peter O'Toole 飾）殘暴昏聵，陰森惡毒，而他的繼任者卡里古拉（Malcolm McDowell 飾）則有過之而無不及?？ɡ锕爬翘岜嚷缘酿B(yǎng)孫，他長期與妹妹朱西拉（Teresa A nn Savoy 飾）私通，在位期間以殘酷的手段殺害百姓和大臣，并因此取樂。為了鞏固政權(quán)，他更殺害自己的弟弟以及曾幫助他謀取皇位的衛(wèi)隊(duì)長馬克（Guido Mannari 飾）。他愛誰？恨誰？似乎永不明了，只有無盡的欲望與探念將那人性不斷吞噬，連同生命消亡殆盡……

導(dǎo)演精選

甜蜜的家2025

《甜蜜家園2025》1小時(shí)52分導(dǎo)演金弘益主演尹智淑宋承憲劉成敏

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.